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Analysis Of "Lo River Map" Aesthetic Thinking

Posted on:2010-05-23Degree:MasterType:Thesis
Country:ChinaCandidate:H ZhangFull Text:PDF
GTID:2155360278996754Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
This article from the "Lo River map" creative background, a brief overview of the Wei and Jin periods and thus leads to the theme of art. Wei and Jin Dynasties is the Chinese art of great significance to the history of the development of the transitional period towards the arts as a pioneer in the Eastern Jin Dynasty, Gu Kaizhi are playing a role in navigation. "Lo River Map" is one of his classic masterpiece. "Lo River Map" is based on Cao Zhi Gu Kaizhi's "Lo River" and as it is an outstanding example of combining poetry and painting, the painting represents the highest level at that time almost universally included in the Wei and Jin Dynasties aesthetic characteristics. This article by Gu Kaizhi only three paintings on the "flow-sheng Wei, Jin, Chan-painting", "On Painting", "painting Yuntaishan mind" refers to a full range of aesthetic analysis, "Lo River Map" in the figure, landscape trees, birds and animals, as well as lines, colors, composition and other aesthetic features and its impact on future generations. Which focused on the Gu Kaizhi's "vivid" and "Fanny would have to move" on the "Lo River Map" in the concrete embodiment. In "On the painting," a text the first time he referred to the "vivid" and "four-body Yan Chi, the beauty has nothing to do; vivid portrayal, is to see in Afghanistan," "Where the paintings were the most difficult, time landscape, sub-dog Maceration devices ears, difficult as easily, and not wait for it to move like a wonderful "; Wei and Jin Dynasties, landscape is still in its infancy, or appear as a character foil," Lo River Map "in the landscape also inseparable from the limitations of the times, as a decorative screen or separated from the screen, but still has laddish beauty, the aesthetic aspects of the landscape concept in his "mind Yuntaishan painting" in the know; bird animal in the "Lo River map" appears several times, although more as a character foil, but the mature form has been very lively, some superbird scs monster screen not only added a lively atmosphere at the same time reflects the rich culture of China, it is worth we have to study. "Lo River Map" in line with more typical "chuncan silk" depiction, full of resilience and a strong change in texture; colors also take the initiative rather steady, uniform color, elegant style, mysterious and beautiful, full of romance and color, full of poetic; "On Painting" also referred to "buy into cloth potential," "Lo River Map" in the layout of the screen used for the performance of a number of cases a complete approach, similar to today's comic books, composition used in the form of a scroll bar for easy viewing, complete and uniform. "Lo River map" to create a traditional Chinese scroll painting of the first of its kind, as the "ancestor of Chinese painting." It is not only immortal record of the history of the Wei and Jin Dynasties let us see the whole era of aesthetic ideas, but also let us more clearly after the ancient Chinese Wei and Jin overall direction of history painting.
Keywords/Search Tags:, , Characters, "Expressive Theory", Landscape
PDF Full Text Request
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