Abad's Angosta Inheritance Of And Transcendence Over The Dante's La Divina Commedia In Art

Abad's Angosta is fables in today's world. It is known as another monument in Latin American Literature after Centennial Solitary.This paper researches the inheritance and transcendence of Angosta over La Divina Commedia,from the aspect of influence.This paper is divided into four chapters.The first chapter describes the research status and the basis of this paper, then I organize predecessors' opinions and summarize my topics.The second chapter discusses the inheritance of Angosta over the arts of La Divina Commedia. It explores the inheritance in terms of spatial structure, people and metaphor. These two works use hell, purgatory and heave three levels; The acter is similar to Dante, acteresses of Angosta are the same names of La Divina Commedia. These two works all use metaphor, which makes the work having extensive symbolic significance.The third chapter is the transcendence of Angosta over the arts of La Divina Commedia. It starts from the six perspectives, which are the scatter unique structure, the wide range of narrative point of view, the return of realism, people, structure and outcome, analyse the transcendence of Angosta over the arts of La Divina Commedia, through the contrast. The scatter unique structure, the wide range of narrative point of view and the use of realism are realism art practices by Abad, which does not exist in La Divina Commedia. People in Angosta appear from the start to the end of the novels, but people in La Divina Commedia mostly are fragment, which appear in a part of the poetry, only Dante as a visitor throughout the poetry. In the structure, La Divina Commedia has a single clue, Angosta uses reticular formation of 19 century in the west. In the outcome, La Divina Commedia is comedy in Renaissance, Angosta is comedy in realise.The fourth chapter explores the transcendence significance of Angosta, the first is in realism, the second is in Aesthetics, the third is aesthetics.