Perceptual Narration Of Roaring: The Existence Of Rock Music And Its "Sound Perception Logic"

By studying Rock Music as a special existence of perceptual form, this paper further analyzes its unique feature known as "Sound Perception Logic". This paper concludes that Rock Music, as opposed to mainstream culture, bears a unique form of "Perceptual Narration of Roaring" which like other art forms, such as Western Classical Music and Folk Music, shaped its own particular "culture population" and perceptual experience during its course of development. As a product of human society, Rock Music is regarded as a critical supplement to modern social music culture and perceptual experience. Under the scope of zero-degree criticism, this paper presents some related theoretical analysis to "Sound Perception Logic" of Rock Music.On the basis of above-mentioned "narration" and "Roaring perception", the author gives theoretical generalization and discussion of "Sound Perception Logic" which is a perceptual ability prevalent in music activity. The "different culture discipline" and "different primitive accumulation" of multi-culture shape "Sound Perception Logic" with multi-existence. Since each music has its matched "Sound Perception Logic" and such perceptual ability, accompanying the creation and appreciation of music as a kind of "intention", plays a dominant role. When faced with concrete musical work, perceptual experience must seek for its matched "logic of sound perception" because the perceptual form of music is, in the final analysis, a form of "Sound Perception Logic". So, all in all, break the rules and wide-open your ears.