The Narrative Research Of NingHao's Film

As the new force in the sixth generation director of china, NingHao is even leader in the film's box office. In 2006, "Crazy Stone" which is directed by him opened a storm of the black comedy called "Chinese-style movie". It is not only a box-office legend which creates 2.3 million rewarding for 3 million investment, but also has caused a huge sensation to the film field of 2006.NingHao kept the style of carziness in his newly-create works called "Silver Medalist". This movie break the record of billion in domestic box office with overwhelming speed. NingHao has been the fourth members of "billion club" in all directors of China following the Feng Xiaogang, Zhang Yimou, Chen Kaige.Film is a combination art of sound and picture. Narration is one of the most expressinve and the most attractive factors in all the components of film. The reasons are manifold for the success of a film works. But in terms of the self factors, it depends largely on two aspects: First, what kind of story it talks about, second, how to tell the story. Nowadays Chinese-made film is still in low level of narrative,and the film market is not promising. The reason of achieving success of NingHao's film works lies in its good story and excellent narration of the story which give his story a label with the style of distinctive characteristics.NingHao pointed the camera lens at the edge of the grass-roots people who is in the highlighted contradictions of China community; it reflects the reality of the absurd nature of society with absurdly comedy plot. In the narrative structure film, it applies non-linear structure with the multi-parallel clues which led the audience a strong desire of enjoying the film; and the screen language with commercialization and art not only embodies the skilled techiniques of the young director, but forms a unique style of image of NingHao.Behind the narrative through the film, we see NingHao's culture values of film in the context of post-modernizaion, as well as his efforts to find commercial and artistic film balance—not being kitsch in the business trend, not being niche in the audience; he established the character of the film narrative and he express the ethical and moral discourse in the construction of ethics and convey the human spirit of goodness and beauty from the aspects of society and human and the culture reconstruction.