Study On Aesthetic And Screen Image Of Mongolian

As the globalization sweeps the whole world, minority films as an important carrier of China culture image to participate the spread of global actively, so that strive to gain the right of speak at the international film market. Mongolian subject film is one of the important components of China contemporary films, thus the uniqueness of Mongolian culture and art is bound to reflect the local minority subject films. On the basis of concluding the Mongolian aesthetic, to analysis the development of Mongolian subject films, to focus on the screen image of representative Mongolian subject films which is directed by Mongolian and Han minorities in recent years, and discuss the significance of aesthetic study, try to dig out the historical and cultural background of films. Therefore, improve the aesthetic sense and artistic interesting of appreciations and expand the development spaces of China ethnic minority films. I particularly hope that the study can influence the long-standing historical and cultural heritage, promotion and development of Mongolian.The thesis includes five parts:The first part is mainly to point out the theoretical framework of the thesis through concluding the aesthetic character of visual arts and aesthetic standards of Mongolian.The second part is the status research of screen image aesthetic of Mongolian subject films. To conclude the representative images of screen, mother, father, Kehan, hero and horse through the search of development trajectory of aesthetic research of Mongolian subject films, and put forward the main topic of thesis.The third part is the comparation study between Mongolian aesthetic and screen image. At this part, I analysis the further screen image which mentioned in the second part through the Mongolian aesthetic visual, and combination of several typical meaningful Mongolian subject films.The forth part is significance of aesthetic study of Mongolian subject films. With the analysis of screen image to disseminate the Mongolian culture of"harmony between man and nature", practical significance of building a harmonious culture, at the same time, to improve aesthetic level of cast members through get the weakness.The fifth part is the consideration of aesthetic pursuit of Mongolian subject films. To insist on the local reproduction includes the unique culture of ethnic minorities, Mongolian history, and show the Mongolian region landscape and visual spectacle and the localization of the creations. At the same time, to insist reproduction to persist the re-creation of local soil. To highlight the characteristics of times and explore the topic through"Other"views, thus enhance the deep national awareness of cast members. Besides that make the works with strongly aesthetic characteristics, let Mongolian subject films get recognition from other nations, thus develop minority films in the world independently.