The Credibility Analysis For The Hypothesis Elements Of Image Space Modeling

In the hypothesis of film art,the agreeability between viewing and acting is the essential premise of forming some kind of image recognition and emotion interaction between the artist and audience with the carrier form of art works.The faith privity stemming from the agreeability is also the important psychological basis of the credibility of film's hypothesis elements.The expression forms of modern film space will participate in the narrative and meaning expression,therefore the pluralistic images demonstrate the modern film space modeling and the resulting "Significant Form " of image expression.The fundamental reason is that it reveals the inner essence which is difficult to be detected from the natural things and the surface of human society.This is precisely the important foundation which the hypothesis elements of image space modeling is able to exist in the expressional forms of film and gain recognition.The discussion on the hypothesis elements of space modeling,by its very nature,is about the problem of relationship between space and people,circumstances and feelings.This article discusses and analyzes this issue from the perspective of credibility.Beginning with Receptional Aesthetics,this issue will be studied in the overall scope of film art and will inevitably involve some problems of Receptional Aesthetics and audience psychology.These problems are about the psychological needs and emotional interaction during the course of viewing,including audience's inner psychological demands and attention mechanisms.Similarly,as a powerful linguistic form,the credibility of hypothesis elements of film space modeling is also a relative concept,and its manifestation in the image acceptance is a kind of visual counterpart of people's inner requirement and inherent spiritual demands.