Image And Trace

The core we expound in this article lies in the discussion of the value root and the contemporary possibility of drawing,we want to achieve some directive advises on drawing through analyzes the theoretical and realistic basis of professor Yang Feiyun's drawing;through the comparison of the current Chinese art situation;through the course of make clear the request on body of drawing.We focus on the key words image,trace and the contemporary era to develop the discussion of the article.The key words alternate mutually to form a complex skeleton of the article:contemporary penetrated in the whole article as a time clue and a practical significance;the core of the problem is the contradiction between pictorial with non-pictorial which the word image covered,and the best point of view to expound the problem is the word trace that embodied in figure drawing;at the same time,we choose professor Yang Feiyun's painting as point of penetration has typical significance.Mr Yang is a prominent personage in Chinese present oil circles,by its pure classicism his drawing enjoys a good reputation in paintingworld.His drawing that inherits the Western classical art tradition because overflows a Contemporary China artist to feel comprehends beauty the honor which one great spirit produces.The figure drawing we choose to discuss in this article is the representation from the skill more than 30 years and the symbolic work of Mr Yang's, which corresponding professor's different creation stage separately and presents a section of unique idea course.It demonstrates lasting and the profound significance in the contemporary Chinese art multi-dimensional ecology.