| In Chinese landscape painting, if the color want to be deep-rooted with the ink and converse between them, the key lies in how to make it in the cultural and spiritual dimensions of endoplasmic up plump and heavy progressive up. From the beginging to the end, through the reaserch on the Chinese color depth exploration of aesthetic culture and the Chinese characteristics of the re-draw recognize, in order to make colors in landscape painting to achieve a high level of consciousness free and independent like it in the ink .Color of Chinese landscape painting has through next stages: the traditional five colors and study Chinese philosophy based on green and ink Pallens; twenty-first century middle school period also entered the integration of Eastern and Western painting creation; and return to the contemporary culture and the ontology of the spirit of exploration Medium. It is also make it in this third stage, the results achieved, so that our firm is not cramped for thousands of years before the study of landscape colors will make substantive progress confidence. Time because of special historical background, landscape painting in the application of color has not been able to be the ancient literati their special care, which also left a piece of landscape painting broad space for development. In contemporary research on color landscape no longer remain in the ink and the literati are cooked cooked non-debate chatter, and contemporary artists of color and pen and ink landscape in the research is based on the cultural spirit in mind and have you in my in my you have to promote the communion, but also the older generation on the basis of the experiment had a more delicate and the absorption of Western optical color factors. Combing through history, we will search such a direction, in a calm and intellectual way to explore and research on landscape painting and ink painting, in order to achieve the morpheme and beauty re-excavation of the landscape painting.
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