The Construction And Digestion Of Countryside Order Under The Mainstream Ideology

On Chinese modern literary world of the twentieth century, Zhou Libo is a particular writer. The particularity performances at his persistent concern and exploration on the issue of countryside order under the new regime. From the beginning to the termination of his literature career, he constantly thought about the issue and recorded the process of probing and thinking of it with the form of fiction, trying to pass his own voice. As the limitations of time and tide, Zhou Libo thought about the construction of countryside order under the new regime mainly from the experience of the apriority of country mainstream ideology. Therefore, the color of ideology became the basic background of his works. However, his persistent on the position of civil society made him concern more about the original survival status of the people in the countryside. This in fact resulted in pointing to two significance of different levels when Zhou described the countryside order, that is, he pointed to the "man-made order" under the influence of the mainstream ideology and the "spontaneous and self-generated order " which rural society existed tiself .Owing to the difference between germinal orders and functions of the two mechanisms, and thus cause them to differ in expressions and status of Zhou Libo's novels. As his focus object, "Man-made order" occupied thedominant position, showing in the novels by the face of external; and the "spontaneous and self-generated order " was in a subordinate position, showing in the novels by the face of internal. These two orders were not into conflict, but intertweaved and conflicted with each other, they formed a relationship of construction and digestion.The research object of this article is Village Novels created by Zhou Libo, and focuses on the historical and cultural context, the concrete expressing forms and its inherent contradictions and conflicts stemmed from the countryside order under the writer's words. With the process in this discussion, Zhou Libo's inner embarrassment at creative time also appears step by step. This will provide us an important reference value on knowing the writers' overall mental outlooks of the liberated areas in the 1940s and 1950s.