| Since the early 20th century Western vocal singing into China and Chinese vocal music education major has been set up, a Chinese national vocal dramatic changes, from the acceptance of Western singing and learning to learn and absorb the development of Western singing vocal ethnic Chinese, Chinese Vocal Music the development of the arts has experienced the unremitting efforts of generations of people and innovation, they always land with the ocean at the confrontation and combination of traditional and modern development of the succession of the various arguments to explore the Chinese path of development of national vocal music. It can be said that the development of Chinese nationalism has been vocal Chinese music people are actively exploring the problem. The development of Chinese ethnic vocal music today, presented in front of us are varied, the flourishing of the status quo of the vocal art, but still triggered a new controversy. The focus of debate around the nation methods of vocal concerts. On the one hand, "academic" national singing with the "original ecology" singing out of controversy over the highlights to the nation whether vocal singing as a criterion to classify the long-term existence of the dispute; On the other hand, emerging vocal singing of the national status and define the fuzzy unclear, in recognition of the reality of its existence has given rise to a variety of basic uncertainty. In these arguments behind the more vocal of the Chinese national real problem, it is worth consider us.The development of a thing always in the process of history and society as a whole look at the basis of development and the development of the arts should not only be based on historical and social reality, but also the development of contemporary art behind the art and culture and the arts aesthetic idea characteristics analysis of the situation through the interpretation of art and aesthetic value of the aesthetic idea to find the direction of the development of the arts. Same vocal art that is the case, as a voice of the arts, the voice of the United States has been a vocal performance of artistic expression and an important part of the aesthetics involved in the study of vocal ethnic Chinese a new perspective into the 20th century, decade, With the post-modern culture of western post-modern thinking and concepts into the popular culture, "aesthetic culture" has become the subject of the new aesthetics and new focus, first, changed the traditional aesthetic to abstract the essence of the problem for the United States Research Center, emphasis on the concept of aesthetic thought and aesthetic interpretation of the study to focus on the specific situation of the aesthetic; two are based on contemporary life, attached great importance to the aesthetic life and research to explain the situation; are three main break in confrontation with the object model to study the thinking of contemporary appreciation of art and interactive public relations. These are bound to widen the vocal art research new areas, in the face of the vocal line with the life of the reality of aesthetic activity to make a new interpretation. Aesthetic and cultural perspective of the new vocal on the current controversy over the Chinese national focus to provide a new theory.In this paper, post-modern aesthetic and cultural standing of the aesthetic theory perspective to examine the current Chinese national vocal arguments behind the current situation and the essence of aesthetic culture through "top-down" and "bottom-up" a comprehensive research methodology, attempts to explain present a variety of Chinese vocal singing the national status of the inevitability of coexistence to explain the coexistence of a variety of singing and to highlight the mutual penetration of the status quo, and aesthetic culture from the perspective of trying to present the Chinese perspective the direction of development of national vocal music, that is, the direction of development of an integrated mass. |
PDF Full Text Request