Nora's Deformation In China

The thesis discusses the image of female characters in Chinese women 54 Writers , by the clues of its attitude's changes towards the fate, trying to show the gradual, dynamic process of Nora's deformation in China.The emergence of the first generation of female writers has opened up a period of 54 Nora's deformation of Chinese. Because of the limitations of gender, the works lost male writers'elite awareness. Of cause they lose a certain depth and content, on the other hand, they can go deeper into the women's hearts. They can maintain an equal attitude to women's mentality of awakening to resistance. Thus, women writers in their unique perspective and unique creativity to Nora's deformation of Chinese distinguish from men writers. At their works, we can see the Chinese Nora is in the evolution from " those who accept life" to " those who make life" and the dynamic process of the evolution.The first part, a different starting point: the " those who accept life" in the infiltration of Chinese. The main problem that the article want to solve at this part of is to analysis and to reproduce the history the starting point for Chinese Noras, trying to compare the Nora in Ibsen's Writings, and the different starting point. The article mainly make a comparison of the starting point of their resistance with Nora and the Chinese women in traditional knowledge and cultural background of the society: Nora has been achieved in the Nordic part of women's emancipation, but the Chinese women suffer from habitual obedience, strong section of the shackles and false reputation in the traditional culture of five thousand years. This is a full range of abound of action, moral as well as the value. This determines the resistance of the Chinese culture of women can never be as quick as Nora's home, which must be a gradual, dynamic process. The second part, a reasonable transition: the identity of " those who resentment life" in the amplification. Compared with Nora, the Chinese women's lives more occlusion, carrying a heavy history burden and difficult to resist. All this shows that Chinese women's awareness of the awakening and action can never be together against the same steps. This resistance and has a lot of difference from Nora. Women writers from the reality of "life who complain" link to zoom in and added to realize reasonable transition from a " those who accept life " to a " those who make life" a. This aspect major notes that Chinese Nora's " those who complain life" stage, and at this stage included two steps: the awakening of consciousness caused by the existing model of the spirit of survival and because of fear from the former road to the resistance generated by the difficult knowledge of fighting.The third part, the outcome of diversification: the "making life"in the shape and complement. From " those who accept life " in the tragedy without that " those who resentment life " in the hesitation and indecision, the Chinese knowledge of women make the first step forward. This step is a summary of the previous steps ( "those who accept life- those who complain life - those who made life"), the resulting finish of the Chinese literary works of Ibsen's Nora, as well as the detailed decomposition of the aspect of Chinese infiltration. At the same time, it is a starting point answer and consider for the question of 54 literatures.