Spiritual Expression Of The Oil Painting Color

Color as an important oil painting performance art means, has become a unique aesthetic within the framework of the aesthetic elements. Oil painting color ideas through a variety of aesthetic, genre painting, personal style and expression vector, such as shown immediately after becoming dazzled people. In this paper, before the art of modern Western art history from different historical periods with careful analysis carried out to study the development of color features and color shapes the development of the law, and then to look for color in the development process of the evolution of context.Scientific research in Western oil painting and application of the color evolution of history, the need for the human spirit from the West and Western art forms of the language of both the fundamental perspective, "the spirit of derivative language," at the entire painting colorful language in the area of each historical period, have changed due to the concept of rich applications and tools. From classical to post-impressionism, color painting has undergone a transformation quite a long process, from initial simulation to find their own natural spiritual values, from the outside to the inner-depth description of the development of painting in color also from the auxiliary to the finish the main function of the transition.Through the three-part article on the history of Western art from the Renaissance to Post-Impressionism time in half a century the spirit of the main trends of thought and art are analyzed and summarized, summed up the color painting process in the development of several significant changes. On the first part of painting in the classical rational and reflect the concept of color, as well as the art form of its corresponding language dependent color reproduction. Greece since ancient times, beginning, philosophers and artists, the art comes down to "philosophy" of the show, as well as the imitation of the real world, art on the reproduction around the establishment of a rational and relatively complete system. After the Renaissance and classical art oil paintings, the ancient Greeks to the present, and a rational first time the scientific spirit with the combination experienced a revival of ancient Greek art of the Third Rome, the climax, that is, beginning in the 14th century to the realism of Renaissance painting scientific language model, the 17th century, Poussin and the cause of the birth of norms Institute, to begin in the second half of the 18th century, the third revival of classicism, construction and improvement of Western oil painting reproduction of classical rational language system. Artist who learn through the use of perspective, anatomy, light projection law, the realism of the physical play was accurate and detailed, and color reproduction in the rational development of the system is slow, only as a supplement to sketch the relationship between the performance of the screen means to the atmosphere, the arts on the conceptualization of language, practices on the performance of programmable, only the intrinsic object color goes for lightness changes under different circumstances rather than the pursuit of sex change and environmental well-being of the interaction between colors.On the second part of the Impressionist and Neo- Impressionist paintings reflect the color of the rational senses, as well as the art form of its corresponding color reproduction of language independence. Reproduction of this period, physical realism from realist paintings to switch to color the track of realistic art, color painting as an independent element, in the screen play a decisive role. In theory, the artist in their optical theory of natural sciences as a guide, to color in painting the real picture with the intrinsic link between the analysis of rational, scientific reproduction; expression of "an instant impression" to pursue, but also more appropriate From painting to convey the inner feelings with visual impression, and this varies from person to person and is also a sensory impression of a certain subjective. Impressionist artist through the light of the factual description of color, expression of feelings and objective color, to achieve an objective beyond the images, will be aimed at the performance of the real vision of realistic painting to the extreme, in the painting took on an objective color the peak of reproduction.On the third part in the post-Impressionist paintings reflect the emotional sense of color, as well as their respective art forms of the subjective performance of colorful language. In a rational representation of the arts have been almost perfect at the same time, post-Impressionist artist who is no longer satisfied with just an objective vision simply reproduce the true color images of natural feeling, they make their own color at the performance of the true free sensual, according to works and subject color images need to re-create, in order to emphasize the self-emotion, the performance of personality, its own subjective sense of emotional thinking and artistic expression as a new subject, in the spirit of performance art, the expansion of the oil color space and the existence function.From the classical article on the post-Impressionist paintings to colorful language analysis, although this should not completely cover the history of Western art for centuries the list goes on emerging trends and many of the paintings at Art on the artist is different, but I hope that through this period of major art ideas and expressions of a general, reflect the different historical stages, painting colorful language from the simple imitation of a natural image reproduction to gradually move from a purely natural process of painting itself in a different evolution and the performance of the spirit of.