Exploration And Expectation-An Analysis On Imaginization Of The Language Of Contemporary Chinese Oil Paintings

Under the contemporary international context, with the Chinese paintings moving from"localization"and"internationalization", it is the pursuit of national identity and contemporary spirit, as well as law of the self-development of art, to put the traditional culture into the contemporary Chinese paintings. This paper, through the study of traditional imagery cultural spirit, imagery expression language, and the contemporary feature of"imaginizaed"oil painting language, argues that"imaginizaed"oil painting language, under the traditional Chinese humanistic spirit, is the contemporary language of localization; the unique and deep cultural implication produces the unique oriental poetic language, its wide extension indicates the starting point of its further development."Imaginization"is not the Chinese skill, but the contemporary artistic language system under the traditional imaginary cultural spirit. Therefore, it starts from the commonness of the occidental modern art and the traditional Chinese painting, and gets into the study of the traditional Chinese cultural and art. Through the comparison of cosmic outlook, life outlook and aesthetic view between east and west, the traditional cosmic outlook of"combination of human and heaven"in traditional Chinese cultural and"imaginized"spirit under Zhuang Zi's"Dao"are well grasped; through the analysis of"imaginied"spirit, and the"image","context","quality", and"character"derived from it, the spiritual quality of"imaginized"oil painting is set up, thus avoiding superficiality; by decoding"form produced by meaning","colored by meaning","written with meaning"in traditional imaginery language, the oriental poetic language used in oil painting is explained, through the analysis of modern artists and their works, the relationship between types of oil paintings such as realism, expression, abstraction, and"imaginization"is analyzed, together with the extension and exploration of"imaginized"oil painting language. The consciousness of contemporary oil painting is cultural consciousness based on national confidence, is the returning of the traditional Chinese cultural spirit. Based on the study of"imaginized"spirit of Chinese oil paintings makes the traditional"imaginized"language contemporary, which produce constructive significance in constructing the deep structure of localized language in contemporary Chinese oil painting. Meanwhile, it produces further implications for contemporary Chinese oil paintings to evolve to localization and internationalization.