The Research Of BaoZhao's YueFu Poetry

Bao Zhao had made a great achievement in YUEFU poetry creation, because of his low social status and reputation, though he was very intelligent, every dynasty's official history had totally ignored him. So there were no biography about him and his poems that we knew had just taken less than a half proportion of total. Meanwhile the explanatory notes of his poems were also appeared quite late, which made the research results of Bao Zhao were not rich enough and especially the research about his YUEFU poetry were quite not deep enough. In this paper, by taking use of the comparison and conclusion method, I mainly made an in-depth analysis about the pensee content and artistic characteristics of Bao Zhao's YUEFU poetry.The whole paper included mainly two parts. The previous passage is "The Pensee of Bao Zhao's YUEFU poetry ". In this part I analyze Bao Zhao's "sorrow for times and sad for the society" emotional from these five sorrowful aspects blow: the sorrowful feeling of life, of poverty and lowliness, of not been appreciated, of weariness and of national affairs. To sigh for the life and poverty is the theme of Han Wei YUEFU poetry. And by the time of Liu Song period, the war, plague, political killings often endangered the lives of the scholars that time. And the poverty and sadness were the true portrayals of the survival situation of the lower class scholars like Bao Zhao. So he wrote a lot YUEFU poetry to sigh for the life and the poverty and sadness. As a poverty poet who had a lofty aspiration, Bao Zhao spent his whole life in serving for the lieges and for the country. He had been thought a lot, but still had no way to make his wishes and aspiration come true. So the sorrowful feeling of not been appreciated and weariness were very obvious and deep. While at the same time, Bao Zhao had paid a lot of attention to the society, so faced up to the darkness national affairs and the sharp social contradictions, he put a lot of worrying emotion into his poems. And because of Bao Zhao made a depth excavation of such life tragedy and a full exhibition of the social reality, the intensity and depth of his poem was far greater than the same generation poet.The following passage analyzed the artistic characteristic of Bao Zhao's YUEFU poetries. First of all, Bao Zhao's YUEFU poetry used the technique of exhibiting the panorama, describing the politics and society view of the Liu Song dynasty to the readers. He brought various issues all into the aesthetic of his poetry. From ethnic conflicts, class conflicts, to peer strife, female grievances.Secondly, Bao Zhao put forth effore to express his emotional experience on the basis of panoramic display. His expression was straightforward, his feelings was nature, and the language of his poetry was also sharp. So he expressed freely and writed in a strong and plain style.Third, Bao Zhao's idea of art is not rigidly adhere to a large image, but always put ordinary things, common senses, routines into poetries, often using spoken dialect, and his poetry style was uncontrolled, his language was both refined and popular. So his YUEFU poetry often showed that, there were profundities in commonness.Fouth, the "sculpturesque description " was popular after the poetic world abolishes holds airy philosophy in the period of Liu Song dynasty. Bao Zhao's YUEFU poetry also presented the rich characteristic, but the author considered the poem of Bao Zhao was"colorful" but not "obscene". The poem of Bao Zhao was often used "the dangerous rhyme", most of the images and the sentences had wonderful thinking. There were many exemplifications in YUEFU poetry. Thus it was called "danger". In the period of Liu Song dynasty, the YUEFU poetry was the popular music which was loved by the social upper formation, but it was not ascended the place of refinement eventually; Bao Zhao's YUEFU poetry simulated the ancients, but the language of the poem mostly used YUEFU proverb. Furthermore, most themes of his poem were about current politics, the livelihood of the people,and the artistic images were mostly the bottom characters. The "vulgar" of the Bao Zhao's YUEFU poetry should presented from this.Finally , Bao Zhao's YUEFU poetry frequently constructed the huge emotion dropping variance through exaggerative romance and built intense light and shade contrast through depict the magnificent scene and fade scene,thereout the poem was filled with vigour.Bao Zhao was also skilled in creating vigour. He often wrote the poem with "I", contructed a scene to confid face-to-face. It was propitious to depict the scene and express his emotion,Simultaneously strengthened the description authenticity and power. The vigour of the entire poem linked up smoothly and came into being a huge emotional crash.In the last part, it discussed about the tradition and the innovation. Bao Zhao's YUEFU poetry was inherited the realism tradition of the Han dynasty YUEFU poetry and impacted by "the Jian'an literature" expresses feeling and Two Jin literature's aestheticism. Bao Zhao was a poet who could actively innovate. He used the old topic of the YUEFU poetry and created his new originality to extend the aesthetic eyeshot of the YUEFU poetry. He set the fashion of the poem to cause the enormous influence to the afterworld. He brought the seven-charactor poem to the poetic world,established the rhymeof the seven-character poem.Because of this important achievements, Bao Zhao was signaliaed on poetic world of the Liu Song dynasty and let the glory out.