After Wang Jiawei Movie's Modernism Characteristic

The 20th century final 20 year Chinese cinema world has contributed the numerous splendid works and director for the world film circle, but Wang Jiawei is without doubt most is worth one which of movie authors pays attention. Wang Jiawei by reason of oneself to the life sensitive, the feeling becomes aware and engages in introspection, through to the movie narrative way's innovation, the movie content and formally presents one with the traditional movie art entirely different phantom world, has formed the unique movie art language: Complanation the space and time, marginalizes the character,story scattered......After having manifested the intense, modernism characteristic. WangJiawei's dramatic work characteristic, subject seeking and the creation style with Hong Kong this special metropolis, the contemporary movie and the cultural circle close conjunction, the latter modem culture is with the contemporary society's high commercialization and the medium relates highly in together, but after Hong Kong culture's importance is its modernity, after Wang Jiawei's movie photographs the capriciousness which, the uncertainty and fortuitousness the technique appears is precisely, one of modernism movie's prominent characteristics, the Hong Kong polytropic cultures and the movie type as well as the contemporary international movie tidal current become the cultural context which the Wang Jiawei movie creates moistens.Wang Jiawei's movie text narrated basically is one kind of sentimental rejection with is resisted, the escape, as well as the dislocation or the error love, its character and the society are isolate, the marginalization, thus is far away from the centricity, the integrity and the identity, tracks down and rejects originally is pair of contradictory, actually very much to marvelously manifest in the Wang Jiawei work on each kind of role body. Wang Jiawei's story is pulls out with the reality society to, perhaps he wants to borrow and so on which the knight-errant, the reactionary gang, remembers past times each kind of environment and the story skeleton constructs his story, but the final result is pulls out from these skeletons to, becomes common essential the human emotion and the mood, what it unfolds in front of the common people are the human and the human sparsely to, communication lacking with the barrier, after shears, the modern emotion concern which the shed does not go, this is the Wang Jiawei movie text mother topic together. Wang Jiawei's movie narrative structure breaks frequently, but this does not affect his movie narrative structure integrity. On the contrary, Wang Jiawei thinks in the break everywhere during the obvious paragraph contrast displays event's conflict tensity, or because of analogied strengthened the subject image, this kind looked that resembled the break many story coexisting way to form its narrative unique style by way of Wang Jiawei's deduction. In Wang Jiawei's movie narrates, no matter in space and time processing to the character behavior's performance, after intensely manifests, modernism's thing drafts, namely to the traditional movie art until tradition ideology's setting at variance with the challenge - - resolution, goes to the center, through technology he newly space and time complanation, thus causes it to lose vertical deeply feeling, the historical feeling and the continuity, the past and the future, the memory and the fantasy, the reality and the myth needs to lay the transformation at will according to the movie performance thought that has formed the stream of consciousness-like fragment plot which rolling surged. In the movie narrative grammar, after the play imitated, laid, plans, to piece together, instead to satirize, teases and so on standards, likely the modern indication way in Hong Kong's modernism movie to obtain the incisive performance.Wang Jiawei's movie seeing and hearing language subverts traditional unceasingly the photography skill, in its. movie's seeing and hearing language has. the high beautification and to the reality mold again, is transforms unceasingly to the traditional movie seeing and hearing language and innovates, after having the thick, modernism characteristic. Each lens' photography technique is in explores in Wang Jiawei's movie is displaying the story subject and the content way perfectly, in his movie picture, space and time, movement, environment, color, music lens language always astonishingly novel, both has no intention to avoid or the beautified modern metropolis mass culture uncouthness and in disorder, and has the uncouth environment changes magically the poetic sentiment the skill, Wang Jiawei is precisely with, from already unique has achieved to the phantom and the sound control from already at movie's esthetics goal.The latter modernism's characteristic is the cultural industry appearance, but the movie concentrated has manifested the cultural industry characteristic, after this angle the modernity and the commercial character were coexistent. The body was Hong Kong "the author movie" Representative's Wang Jiawei on own initiative positively has sought in the commercial mechanism operates from already the style movie, he unprecedented has carried on the ingenious subversion and rewriting boldly by one kind from the shape to the language to the traditional movie, maximum limit borrowed the commercial movie the type ready-made clothing comes to from already the movie to carry on the packing in order to enter the audience field of vision, thus constructs one from was in sole possession of the phantom world and a set of movie symbolism, was considered that is artistic and the commercial cleverest union, after is, under modern linguistic environment cultural industry best artistic performance. Wang Jiawei's movie stress commercial type and the author art field of vision "piece together", after having the model, the modern artistic orientation, appeared Wang Jiawei in has dominated the commercial art on the balanced dramatic work characteristic. Becomes one tendency more and more in the movie industrial production today, may say how Wang Jiawei's this kind did create without doubt diligently with the attempt for our current discussion personalization movie gives dual attention to the commercial market the topic to provide commendable model and to inspire.After Wang Jiawei's movie is, the capriciousness which, the uncertainty and fortuitousness the modern text, in his text using sound track's language, spells fully pastes the story which, duplication music, the complanation shade and the photography technique appears, after these have the intense, modem characteristic, put together the placard to become Wang Jiawei's unique, modern movie linguistic environment after together. In his movie work, narrated, regardless of being any story, also, regardless of when these stories do occur, after its movie manifests the very thick, modernism color, may say that Wang Jiawei pieces together esthetics, the fragmentary fragment and the misalignment narration technique trades after him the modern person's label, after the Wang Jiawei movie's challenging lies in him all sorts, modernism technique to present completely in front of us, in its movie manifests unique and the unified special characteristic indeed is worth us studying and the discussion.