| When Romantic Music ideas swept Europe, Brahms did not drift with the tide, but in the classic sucking on the basis of their predecessors into new creative elements. He expressed a non-mainstream thinking of the tendencies of individualism in his works. From Brahms can be seen on both the German and Austrian classical music tradition, but also with a strong sense of romanticism features. His music is subtle and profound. Brahms wrote many large classical music early. In old age, he changed to "characteristics" piano music works, including Rhapsody, Capriccio, Intermezzo, ballad, Fantasia, and other forms of genre, these pieces reflect his purely creative skills and unique aesthetic qualities.Works can not leave soil cultural and social environment and independent existence. The exchange from large to small works was his creative ideas and aesthetics of the concentrated expression of ideological transformation. All this is inseparable from the cultural heritage of classical music and folk music influence. This paper described in the first chapter of late Brahms piano music tracks and background. The second chapter analysis the aesthetic character of his Piano Pieces. In the third chapter of the Brahms Piano Pieces style causes. Reference music history, and aesthetics of music, classical philosophy and the results of research, combined with music ontology research, in-depth understanding with a view to the late piano works of Brahms the profound connotations of playing at a higher level and enjoy these piano works. |
