Endless Suffering And Hopeless Salvation

Jiang Yun is a particular one, whose achievements are far more than her fame. Her works are of rich connotation and profound thinking. She is not only paying close attention to female destiny but also discussing the subsisting predicament of human beings. From the angle of feminism, this paper combs and analyzes the novels created by Jiang Yun after 1989. The paper discusses in detail in two parts, taking the clues of the lasting close attention to female destiny as well as attempted resolution and transcendence of their predicament.The part 1 focuses on nightmare-tragic destiny of female as the second sex and multiple suffering and misfortune as female. It comprehensively inspect the surviving situation of female as multiple roles such as lover/wife, mother/daughter, homosex/individual, and of being in different relationship. It describes in detail the condition that female is facing losing unceasingly in human basic emotional models of love, family, friendship and reveals that the suffering is of female's destiny under the background that androcentrism is in dominant position. The first level is centered on female's material characteristics and the secondary status of female and their emotion, and analyzes the similar appearances of communications of two genders. And it analyzes with emphasis the truth that decisive function of murderer male and identification of accomplice female supplementing each other cause and aggravate the female tragedies. The second level writes again the role of mother in present tense by representing the acute confronting situation of mother and son/mother and daughter. It explains that the breakdown of their nice images brings double attack to female. It also expounds in the hopelessness of ally imagination that the assault and jostle against each other in homosex brings female wound and persecution, thus it makes sure that the female fails again in the seeking and establishing self-expectation.The part 2 shows the various breakthrough forms for outlet invented by Jiang Yun for the female who lost in abyss of bitterness, which analyzes with emphasis that the female, takes all pains to avoid being eroded by ugly world and vulgar reality as well as get rid of the bog of misfortunes. Moreover, it stresses and praises the female's noble and rigid quality of facing reality and taking responsibility bravely and embodies that Jiang Yun's tireless discussion about how to get rid of predicament for female and staunch feelings for ideal, belief and philanthropy. This part profoundly discusses the inevitability of hopeless salvation and destined ending. For finding the spiritual home, the female firstly dream to reside the spiritual world poetically, but in which there is no realistic existent room for returning nature, it is just temporary victory by enamoring with art and it is hardly satisfactory by means of the faith of love because the partner is lack. After these wishes were defeated, the female leave off to home by the attitude of seeking, but the identity of traveler and the covetous of rebuilding home make her seeking dashed. Finally, the female go to the peak of breakout by the way of determining to die, but the meaning of doing like this was impracticable by the lost of life.Jiang Yun writes uniquely and considers patiently for female existence, and rigidly searches for the path for salvation in hopeless inquires. Though not giving the perfect answer to the female's questions, she probes thoroughly into the fission of female growth and presentation of throes as well as attempt on breakthrough, which established some value by itself and will arouse the wide attention. At the same time, her revelation of the hopeless solution to female plight keeps us alert, and prompt to rethink about the problems such as female position and emancipation.