The Narrative Art And The Stylistic Features Of 《Life And Death Fatigue》

Mo Yan is a narrative art of fiction, novel style has always been very concerned about the writer. In his fiction and the success of his attention to this question is inseparable. And the narrative of this novel from the perspective of style interpreted its novel"Life and Death fatigue", in its analysis of the art works have explored how to make it a more unique aesthetic character.The perspective of fiction of Mo Yan is full-drills.Mo Yan uses of six reincarnation in the novel having great originality, the soul will be placed in animals and become one of narrative character, The human memory and the animal instinct confrontation and interoperability. Animal perspective and the perspective of people were singing a show, launched this new perspective as a unique habitat:"Cold and heat are the two realms, the rapid and slow unified in a world". Here, the"cold and heat"means the emotional narrator, as well as emotional distance between people and the proximity readers. The"rapid and slow"refers to the speed of narrative rhythm. The first four entries, on the whole, the slow pace of narrative describing emotions when cold, heat, when near, far. To the fifth, described fast, the most touching scenes are broad-brush analysis of the narrative, is more rational and cold."Cold and heat, rapid and slow", are four distinct contrast aesthetic effective, through"Perspective"and"outside perspective"freedom demonstrated by the switch, and the transformation between narrative angles showed more the mental journey of character from"entry"to"out", and deepened the theme in the novels of life and death, mature and childish, such as normal and crazy concept of confrontation.Unfamiliar——The relationship between man and animal: Referring to the animals their own affairs, using empirical "Perspectives", as people enjoy equal status with the narrator, Unlike human eyes show the animal world, the relationship between humans and animals, to contrast, aesthetic effect of the unfamiliar. The perspect give us an opportunity to examine the human themselves and examine the relations with animals.An Empirical Investigation of the last several perspectives in the story at the same time concentrated in a focus——Blue Face. Perspective shows how behind the philosophy of life and the history of philosophy.If Mo Yan described the development of creative perspective for us embarked on a new vision, then describes called for the rational use of readers and authors, works, communication between the figures set up a useful bridge. "Life and Death fatigue" in the use of the two called each narrative features.First Person: Liberal gallop world. At this point, those outside the narrative in the story to a bystander's perspective, played the role of the lens, With "you" on the "I" are aware of other people's stories, though its narrative focus, as is the point of the third person "he", but the "I" only from their own point of view and to express the position of "he" Everything, in fact it has been mainstay. It can also be used as a major figure in the story, on its own knowledge. "I" to facilitate the use of the memory of pent chest and pouring out and created an emotional to create a singular animal crazy people in the world. "Pig can vary" this incident itself should cause of human self-reflection, People let pig have unusual ability, Extreme exaggerated language is highly hypocritical society reflected.Talk of the narrative is the film "Fatigue" a bright spot. "Life and Death fatigue", two narrative hero Simon x and blue liberation, is the story of the narrator, is the narrator and also accept narrator. This phenomenon is the opportunity to achieve first-person "I" and the second person "you" to a dialogue of the conversation described. "You" by the state, it in effect creates a "me - you," the relations between the field, showing a description of the main stories all the world desires conversation and dialogue context. This achieved the narrator, the narrator, narrator on the acceptance of a unified communication environment to consider in this paper. Individual consciousness awakening period, and in the field of literature is a large number of first-person narrative works there, in the face of contemporary society excessive expansion of the main difficulties, the main inter-philosophy in the world is no longer seen as the object, but rather as another subject, Subject and to examine the relationship between the main exist in the literature on the performance of a large number of the second person narrative works the emergence of the second person narrative "you" refers to the activities described object launched described in the philosophical level by automatically generating "You - I "the dialogue between the field and the obvious main inter-color.Stylistic characteristics of a novel is the fundamental building to building, including the author's language and customs, the language works, and other characteristics. People dialogue in the film "fatigue" mold the images to display the "majority" of the "minority" unconditional violations and other issues have played an enormous role.Simon Jinlong dialogues with Hong taiyue before and after, language, modal characteristics, as well as changes in action, head to display his forces, resourcefulness, a wave of step with the times. "Hong-- Lan" homonym "red and blue", and "red" represents of the majority, positive, "Blue" represents minority and negative. Language Communication Hung both sides - the role of relations between the blue, not blue face at the opening at a disadvantage, the majority of violations of minorities natural unconditional dialogue from Blue Hung performance out clearly: "Hung" language tough, high-handed, words The threatening posture of expression; length of the gap between their words. Language contained in the class structure of the concept, right, left again at that readers will air imposing era.The language of fiction of Mo Yan is sap cross-flow, full details vivid. His efforts go beyond the standard language, as far as possible, their own understanding of the emotional life of demonstrated. familiar with the word hygiene, the "borrowing" word, on the surface may not be consistent with conventional, but the light of the specific context rather But image detail want. Because, there is a potential dissolvability. without coordination and with the coordination of context to create a new atmosphere and more fantastic feeling. Mo Yan is also good at using novel analogy to arouse people's thinking, to imagine, to meet people like feel, such as the sound heard in many aspects of experience."Life and Death fatigue" is the theme of pluralism huge. It is difficult to say a few words, summed up several aspects. This paper discusses its openness from the following two aspects.Structure and theme: First, the structure of the chapter and the "six reincarnation" get together ingenious: chapter in the novel here is not only in the form of content, in a sense, is also a return. Six reincarnation as a form of innovation and artistic needs, but also writers of history and the relationship between life and the value of life with a new perspective and a deeper level of understanding. Secondly, the Blue liberation's friends"Mo Yan" - plays the role of string. Cover the loopholes offset two double narrative character. Text and novels cited "Mo Yan" content, the Small part draw the reader's time and thoughts back to reality, so that readers feel that history is no longer a once in a replay of the story, but a dream in modern people's eyes, some doubt appearing, real to the enemy, only clues memory fragments. The author wanted to construct the building, but in the self-disintegration.Narrative history with the theme: History is a dialogue of "modern people" and "history", which of the past exists in the history books, in the form of text to be fixed, and the current presence in people's hearts. Mo Yan drags the readers'hearts into the literary works, in his works the "I", some representatives of the readers, and some representatives of the narrator. "I" explore the history, and more difficult, conjecture, as well as the specious Recalling Past Public Object, the form of the novel has a kind of aesthetic novelty charm, and instead you will feel his "history" more liking history.Desire and fatigue: "Life and Death fatigue" from the Buddhist scriptures title "The scriptures of eight people feel". If the "Great Leap Forward" and "Cultural Revolution" period is a collective crazy in the history of the show folds in the hysteria of the people, then the 1980s with the expansion of personal desire is the release of the root causes of personal tragedies, from the boiling back to the community personal spiritual boiling, people are self-not the fault of the cover up and finally retreat. Mo Yan of the era, a major non-processed into some of the superficial desire clips, in a more sober account of the day-to-day portrait of a secular life and human destiny. Mo Yan's film "Fatigue" stop here, but people belonging to the unknown "life and death fatigue" are continuing to……...