Study On The Diversity Development Of Singing Style And Forms Of Mezzo-Soprano In China

This work adopts the methods of comparative research and positive research to demonstrate the scientific nature of the diversity development of singing style and forms of China- Mezzo-Soprano, and it is also combined with the author's understanding of the mezzo-soprano vocal music art and the comprehensive research and thinking of the Mezzo-Soprano developing process, western tradition music culture difference and the Chinese tradition songs.This thesis is made up of the preface and five chapters. The preface simply provides the overview and comments for the background, research status of Mezzo-Soprano singing style and forms. The second chapter intends to give a clear picture of the mezzo-soprano evolution process, in connection with history. The third chapter explain western mezzo-soprano sings art and its influence to China's mezzo-soprano sings art. The fourth chapter gives a contrast analysis on mezzo-soprano sing form and style between the representative west singer and these in China. The last chapter puts forward that the development of singing style and forms of China-Mezzo-Soprano should use the success of national vocal music multi-dimensional development for reference, exploit tradition of the Chinese songs, take the distillate of the western art, base on the national culture and the Chinese populace taste, and make its way diversiform.