Oriental Context And Chinese Oil Painting

Oil Painting's Nationalization is an argumentative issue in Chinese oil painting circle at a long time. After the colloquia named the nationalized path of Chinese contemporary oil painting's development is held in 2004 and Chinese image oil painting show is celebrated in 2005, this issue is again enlarged. We think we cannot simply advocate or disapprove or ignore it. The author tries to use objective view to see the causes and the shortcomings of Oil Painting's Nationalization and also bring forward the outlook of Chinese oil painting.The paper is divided into 3 parts. In the first part, the author reviews the inner and exterior causes of Oil Painting's Nationalization. And with this, he expounds that the posing of Oil Painting's Nationalization in special political culture situation and historical stage has positive and far-reaching cultural significance at that time. In the second part, the author analyses that name, Oil Painting's Nationalization's reluctance, narrowness and also the shortcomings which are brought to Chinese oil painting's development from then on. Then he poses that we should treat and study western culture in open and generous mind. In the last part, the author analyses that the achievement of Chinese oil painting at present does not all follow the concept of Oil Painting's Nationalization in the view of practices. The conclusion is that the outlook of Chinese oil painting depends on artists' diversiform creation. This creation needs artists' attention to Chinese cultural spirit and Chinese humanistic state. It happens in the state of multicultural coexistence.