The Second-time Original Research Of Traditional Fish Grain Graphics

The traditional fish grain graphics has a long history in the glorious Chinese graph culture,it is still widely popular nowadays. With the development of modern society, the technical progress, and the increasing dissemination of information platform, the fish grain graphics has integrated with the modern vision designing. While there have been some "new ideas": "Fish" and "entertainment" - a combination of this cultural phenomenon. The fish grain graphics and graphic elements of modern life, the impact produced by the combination, does the advantages outweigh the disadvantages or vice versa? Is it the sublimation of fish grain graphics of the traditional "form", "spirit", "intention" to a higher level or one-sided understanding of the traditional fault fish graphics? The article will make full explanation.The research of fish in the form of traditional graphic, culture, performance characteristics and methods of analysis, learning from the nutrition and essence of it, and with a second-time original research of the traditional fish graphics for the extension of the traditional graphic and thereby expand the national character. Fish grain graphics act as one of the graphic elements in decorating of Chinese national characteristic, passing through choices, refining, and combination, and having created a new graphic image. Here, we emphasize the second-time original research of traditional fish grain graphics. Fish so graphic in the background of this is the spirit of the times, with modern aesthetic needs Fish graphic retains the national nuances, making the fish grain graphics staying with the spirit of the times, with modern aesthetic needs, and also retains the national charm.The fish grain graphics research is inseparable from the nature image of fish, abstracting graphic elements from the natural form of real fish and then re-creates these elements by processing and sorting, meeting the visual aesthetic needs for modern graphics. Here to point out that it is the learning process of the experience, the attitude to natural manner, the positive thinking of our predecessors rather than a simple graphic reproduction of the traditional fish grain graphics.The article launches from the present situation of fish grain graphics in modern design analysis for the breakthrough point, writing about the"fish"- explain this unfailing graph culture. The traditional fish grain graphics --"the eternal charm"prototype is the important wealth of Chinese culture, however the traditional fish grain graphics"the fresh idea"is one kind of inheritance or a brand-new explanation? We will study to be released. The article explains from fish modeling, the evolution of the spiritual and the cultural evolution and then suggests other aspects of the evolution analysis, thus start to rethink the modern visual design on the use of the ethnic graphical symbols.No matter it is the stone fish in the White Crane Ridge, the wooden fish hanging on the three wall in Lijiang, Yunnan, the spirit fish of Tibetan Buddhism, the Chinese folk paper-cut fish symbolizing good luck, or a variety of current popular in the streets Fish jewelry……She always brings us happiness, auspicious. As a designer, I want to use the former research on traditional fish grain graphics, rethinking the fish grain graphics, hoping provide some reference for subsequent designers.When conducting this paper, I have collected and collated massive published articles and researches on traditional fish grain graphics. I want to express deep appreciation for my teachers and the seniors. In the writing process of this paper, first is the analysis of achievements which already made by the predecessor in their research, and then based on them I propose the combination of fish grain graphics and "entertainment", the second-time original research of it, it is the integration of the traditional visual image...