The Study Of Kim Ki-Duk

as the 90s of the 20th century rise of the South Korean cutting-edge film director, Kim Ki-Duk is now an international audience, the man, known as the Korean contemporary one of the three outstanding directors. Kim Ki-Duk director of domestic research at present there is no system in a few people concerned about this talented director, pornographic or from the perspective of the junior twisted his films. From the director of the biographical film, the film's theme and style director of performance practices, , and other aspects for the full range of three-dimensional studies, re-definition given to Kim Ki-Duk. He had taken the film is full of visual renderings general or specific gravity or out of the creepy mirage. those films are often deprived of their basic rights of survival, lost at least dignity as a human being on the brink of the characters in this tragic scene unfolding under intense sex and violence, death theme. Kim Ki-Duk full of blood and sweat with the film were concerned about damage after despair, struggling degenerate human attitudes, At the same time busting Lane fighters sparks of hope and a beautiful illusion he was sensitive to the capture. Kim Ki-Duk as opposed to the same manner in accordance with its own giant film, a further one to reveal life in the bottom of society's bitterness, shallow and difficult to satisfy the desires of the mind. Kim Ki-Duk's films in the foreign film festivals frequently appeared to be Venice, Toronto, Hamburg, Rotterdam, Buenos Aires, Kaohsiung, more than 10 film festivals at the invitation of South Korean media has been called the 21st century the most potential for leadership of the South Korean director, But his film at home and abroad caused a lot of controversy still. Kim Ki-Duk creative thinking after the first pictures of its beautiful and odd love Guitar hybrid style has become the star of a special example. He recently Korean cinema is the banner. Kim Ki-Duk's film is a good way to the commercial elements of a model for the film arts. His art and commercial films both depth and apparent symbiosis. So, when we look at Kim Ki-Duk's film, even if the film very few words, but in any case will not allow you feel boring. Kim Ki-Duk's films have not played with the transferee, the bizarre twists and turns things Festival often the only interception of a cross-section of life to express a particular theme. Is the theme of the main film, the film is content to convey the theme carrier. Therefore, the outcome of his films is the most open-end, infinite left to the audience's imagination. Kim Ki-Duk's films abandon a successful life, the show is marginalized characters story including prostitutes, murderers triad monks victims of domestic violence and so on postwar mixed. Through their real social life exists on the brink of a complete show. His film is full of passion, violence and the publicity about the religious redemption function. In the early works of Kim Ki-Duk, Kim Ki-Duk to the sex and violence under the sweep of human deprivation of the last hint of warmth, Although Kim Ki-Duk's image throughout quiet and beautiful, but "Winter to Spring" as a turning point, Kim Ki-Duk's film in its style and themes for a change, his films became more of a clean and calm. Kim Ki-Duk film figures in the dialogue, but it is artistic content has increased. In 2007, Kim Ki-Duk by virtue of his latest masterpiece again to defend its film industry in Korea's prestige.