On The Romantical Calligraphy Style Of Late Ming Dynasty Shallowly

A time cultural and art, then is that time person in that social environment, to social, the life, the thought one kind pours out. As calligraphy art, its development and at that time social life, cultural ideological trend and calligraphy creation condition close correlation. In Late Ming dynasty, our country traditional culture appeared a color variegated picture: humanities Spirit awakening,neo-confucianism manner denial,emancipation of man's individual character initiative,asceticism critique,value idea renewal, as well as residential emotion world to traditional esthetic interest vacillation, collected the trend of literary and artistic thought which turbulently rushed. Among this, the calligraphers compete to propose something new and different, fervor falling in torrents, individuality display, extremely has the romantic color, after also makes the calligraphy art to continue Tang Dynasty Kuangcao, appeared a romantical calligraphy style high tide. In this high tide, accomplished one batch respectively to have the situation, each characteristic, style intense romanticism calligraphy master, becomes in our country calligraphy history an important time, affects enormously to the later generation.This article is for the purpose of through being divided sparse as well as Late Ming Dynasty historical and the philosophy inspection to the romanticism culture, to facilitates many factors which Late Ming Dynasty the romanticial calligraphy grows vigorously, makes historical the analysis. To the time outlines Late Ming Dynasty the romanticial development veinand promulgates the thought resources which the strut Late Ming Dynasty calligraphy transforms.The article was divided into seven parts. The introduction part is to question the former calligraphy history about the late Ming dynasty romantic calligraphy some viewpoints as well as the late Ming dynasty time limits and a romanticism culture connotation minute sparsely. The first part is to demonstrate the Ming Dynasty before the intermediate stage calligraphy history simply. The second part is to analyze the background of the culture and aesthetic which transforms to the late Ming dynasty calligraphy. The third part is to demonstrate the late Ming dynasty romantical calligraphy development vein. The fourth part explain the thought reason which grows vigorously to the late Ming dynasty romantical calligraphy style, in accurate assurance Xinxue foundation perspective it to Ming Dynasty gentlemen personality influence,as well as this kind of moral personality meteorology to calligraphy esthetic prevailing custom change. Fifth part mainly from calligraphy shape history angle inquisition latter Ming dynasty romanticism calligraphy in style significance. The last part proposed the enlightenment of the late Ming dynasty in calligraphy.