Women's Literature Under The War Culture Background

The 1940's Women's Literature occupies the quite important status in the entire Chinese modern Women's Literature history, thus it is worth us discussing in the present age and later generations. The war has brought reorganization and splits up of politics, the economy, the culture and so on, and causes China to be divided national area, the liberated area and the enemy-occupied area. The wartime geopolitics culture has formed the powerful restriction to the literature development, thus the Women's Literature also presents the bright region characteristic, which caused the Women's Literature to appear the differentiation and the incline under the unified war macroenvironment. Where is its differentiation and inclinometer? Is there intrinsic relation in these differentiations and incline? Is there any relationship between this kind of differentiation and the Women's Literature? How profound influence has this kind of phenomenon regarding the later 20th century feminine literature? What mirror warning function does it have to our country Women's Literature development? This is the question the author wants to solve in this article. Therefore, the author chooses feminine literature in the 1940's under different political, the cultural linguistic environment to compare the research, which may both crosswise compare the similarities and differences and longitudinal comb the 1940's Women's Literature influence and the mirror warning function in the Chinese Women's Literature history status and the later generation. The author discusses the Women's Literature to evolve the rule and the success and failure under the different social linguistic environment development, provides the beneficial model for the contemporary Women's Literature.First, we should determine the research scope of the Women's Literature, the liberated area, the enemy-occupied area, the national area.The Women's Literature is called in English Women's Literature, namely the female writes on literary work. Speaking of the wording meaning, it has following meanings at least: The feminine writer creates work; Work lives which is about the female; Take the female as the reader object, speaks the way to conform to the feminine esthetic demand work; The feminine writer creates, lives take the female as the performance content work; Displays the work by the feminine angle of view which the female lives and so on. This thesis gives up these diverse and confused definitions, and thinks the Women's Literature is these work which devotes from the creation object in displays the female to live the scene, demonstrates the feminine unique physiology, the psychological experience and the feeling; Said from the creation main body aspect that, the Women's Literature activity undertaker is the feminine writer. Thus these both removes the text which the masculine writer writing concerned female lives, and removes in the feminine writer work the text which has nothing to do with the female. On the other hand also avoided falling into the extreme feminism standpoint, but will be more the feminine text to remove outside the field of vision.Under this thesis the liberated area literature refers to the 1940's communist parties to lead the War of Resistance against Japan base area literature. Because Ding Ling's feminine writing is a case which in the liberated area Women's Literature creation that cannot be jumped over, therefore she also is involved in the liberated area literature to the beginning.This article enemy-occupied area literature is a Chinese Sino-Japanese War time literature part which divides according to the political region, so the main discussion is the Chinese Women's Literature in 1940's, after therefore does not include the northeast enemy-occupied area literature(i.e. 1931.9～1937.7) after the 9.18 emergency and the Shanghai isolated island literature(i.e. 1937.11～1941.12). Therefore, this thesis involves the enemy-occupied area literature which refers to the North China enemy-occupied areas in the1940's and the East China enemy-occupied area Women's Literature. But Xiao Hong goes to Hong Kong in the 1940's from Shanghai, therefore, this article has also integrated Xiao Hong in the 1940's creations the research scope.This article involves the national area literature which is Kuomintang-rule -region literature.