Art Research On Baogong Drama Of The Yuan Dynasty

Baogong Drama of the Yuan Dynasty has different standards. This paper shows that the composition in Baogong Drama of the Yuan Dynasty must have four elements: the perpetrators, victims, Baogong and trial cases. In these elements, it is the confrontation between the perpetrators and the victim. Conflicts start around them; Baogong played the final arbitrator of right and wrong after trying to resolve conflicts or ease. Accordingly, which meets this standard can be regarded as Baogong Drama of the Yuan Dynasty.Baogong Drama of the Yuan Dynasty on performance art plays in the achievements exposition. The paper is divided into three parts. That is the shaping of Baogong and process of formation, Baogong Drama of the Yuan Dynasty mode and the buffoonery comedy of results in Baogong Drama.Baogong in the mold of Drama formed double the image feature, which has been deified and beautify. Baogong consists of rocket-like figures. The deed of Fan Zhongyan is added into Baogong image, and used the hero mold thinking patterns. This is mainly due to the re-creation caused by the spreading process, Baogong has been deified and beautify is an inevitable trend of historical development.The plot of Baogong drama have same pattern features, the person in drama so is. The specific performance that the plot of pattern features are destroying families as greedy for wealth, as greedy for obscenity and as tyrannical bully people. Types of characters reflected that the husband and the wife are similarity in their first marriage, the husband and the wife is similarity in their secondary marriage, slander is similarity, too. The reasons are that opera produced from the soil and its ideological literature explores two forms of their own characteristics.Baogong Drama of the Yuan Dynasty used a lot of buffoonery. The comedy drama has the tragedy characteristics. They were divided intovictims of buffoonery, Baogong buffoonery and three other figures in the buffoonery. Buffoonery is a significant form so that the script was "in tears of laughter" style. The audience and the artist's aesthetic taste and the Confucian tradition of aesthetic decision created this style, and the audience and the artist's moral and emotional evaluations tend to have close ties.