Summaries On The Studies Of Tsing Dynasty Royal Court Dramas

This paper summarized the studies on the royal court dramatic of Tsing dynasty, including the document summarization, organization evolution history, archive studying history, as well as studying and tidying up some concrete problems.This paper consists of 4 chapters. The introduction mainly confines the study object, analyzes the significance of studying this problem, takes some simple reviews on the previous studying, as well as put forwards the basic conception framework and methodology in writing this paper. The first chapter mainly focuses on collecting and tidying up the documents, as the foundation of this paper. The second chapter is about the summarization of the external studying of the Tsing dynasty court dramatic, mainly focuses on the dramatic institutions transitions and the resulted changes on the dramatic performance forms. The third chapter summarized the internal study, which includes those studies on the play, performer, costume, vocal cavity, stage and such other elements of the dramatic. The fourth chapter made a discussion on those concrete problems brought by the process of writing the proceeding 3 chapters, as well as a process of ordering those problems which are paying an attention to in the dramatic history.For the whole dramatic evolution history, though the Tsing dynasty dramatics resulted from the revision on the old plays of the Yuan and Ming dynasties with few innovations, they had reached a very perfect realm on the performance program. Every aspect of the Tsing dynasty dramatic got itself developed and the composition and structure gradually become more and more perfect, especially contribute to form the Beijing Opera, which later stand for the Tsing dynasty dramatic—this should owe to the enthusiasm of the governor of the Tsing dynasty to the dramatic.