Tries To Analyze The Knight Image Rewriting Of The New-vernacular Literature Writer

The Chinese nation of the long cultural tradition, have abundant chivalrous resources. There are never lacking the depiction toward chivalrous man's image in the past scholar work. Still when the idea of "xia " escapes from its embryo stage, evolving a kind of spirit qualities gradually, "xia " becomes a kind of"collectively unconscious", remitting the inside of the unseen of Chinese scholar. So we havea lot of this type of work in Chinese history of literary. If meet chaotic, vigorous writer would demonstrate in person, deducing a courageous and chivalrous state of mind with own blood.But when the route of travel of history gets into the "54" periods , the attitudeof modern literature writer toward xia-culture took place huge variety. The image of the chivalrous man or type chivalrous man of modern literature writer style of writing also isn't the chivalrous man of traditional mode already. from the time, from the latter Qing dynasty to"54"is a process which enters to continue gradually;But from two scholar's attitudes to the xia-culture, this time is actually a break transition process. Accumulated with the entire cultural tradition in the Chinese writer's personality structure and the cultural psychology , xia-culture cannot totally negate easily, but in the 20th century large-scale counter-tradition modernized advancement tide, xia-culture inevitably had to suffer a series of impacts and the transformation actually. How the collision between the traditional chivalry spirit and the Chinese modernity advancement have? How these collisions manifests in the knight image? This article attempts from these questions to embark, inquired into between the traditional chivalry spirit and the Chinese modernity advancement in-depth relations, and analyze this kind of relations to in the Chinese literature modernity construction knight image influence.In modern history of literature,the modern literature writer's attitude to xia-culture has been regard "criticize" .This simple conclusion, not only covered up the complexity of the relation between modern literature writer and xia-cultural, but also make the later researcher neglect this question in very longly of a period of time.The research of this question exist following shortage: A, stay around the collections of various data , and study mode one and become a shal low layer.Two, the researcher has not made an overall contemplation to knight image in the entire Chinese modernization advancement new-vernacular literature writer writing.The above present situation and insufficient becomes the beginning and the ponder starting point which this article studies.Because this present paper involve the Chinese modernization advancement, the writer work, xia-culture three objects of study, the present paper captured writer's value orientation as a junction point. According to Chen Si-he's summary of intellectual's three kind of value orientation, this thesis firstly selects the initiation writer, the residential poet, the revolutionary writer three kind of writers as the new-vernacular literature writer representative. Then separately selects Lu Xun, Lao She, Zhi Xia from these three kind of writers, take them as the case, inquired into the conflict between xia-cultural and the time subject initiation, the residential society, the revolutionary, as well as this kind of conflict creates traditional knight image change.The initiation writer treats the thought initiation as the most urgent duty, opposed the political power transformation separated from the thought revolution, opposed senseless the sacrifice. Which was dispelling the traditional knight imperceptibly the myth which constructs with the body.So the defeat body appeared in the initiation writer's work.The residential poet relies on their familiar to the lives of resident, as well as the new- modern literature writer's open field of vision and the sharp vision, has made the real profound exposition to variant's life appearance in the Chinese modern times resident society forming process. They loses the traditional poetics culture to cover on the traditional knight body the deified corona, actually bearing more realistic connotations.The revolutionary writer has accepted Marx, Engels's class struggle history viewpoint in the revolution, also fully realizes the importance of the communality, the class nature to the revolutionary. when they record this war, they take the guiding ideology, the class nature, the communality, the sense of discipline as the proletariat soldier's most important condition. So, in their works knight become the discipline, organized, the obedient general situation, by the collective interests supreme proletariat soldiers.The initiation writer, the residential poet and the revolutionary writer has separately carried on rewriting from the different aspect to the traditional knight image, portrayed and the traditional knight image widely divergent new knight image. This is the time and the traditional hit inevitable result, also is the new-vernacular literature writer is grieved the traditional variant culture one best way.