Study Of "Anti-family" Narrative In The Feminine Novels Of The New Period

"Anti-family" narrative in the feminine novels of the new period is worth describing. It is significant for the study of contemporary social context of China, inspecting the situation, confusion and liberation road of women in china. This paper mainly investigates the new period of feminine novels from the point of the"anti-family", with "May 4th" for the background, which will do an in-depth inspection combing with family structure, social and cultural changes.In the first chapter, the "May 4th" and the new period as our family fluctuation and the women's movement are more intense in two phases, there has been a more common "anti-family" narrative in feminine novels. But the pattern of their "anti-family" narratives is different. The "May 4th" period mainly creates "anti-family" model of narrative from the perspective of daughters of family, who oppose the traditional "patriarchal" and have courage to flee patriarchal family. The new period mainly constructs"anti-family"pattern from the horizon of the male station, and the perspective of real significance of the feminine gender. This is "Nora's real statement". "Anti-family" narrative form of the new period mainly includes in the following five points: escaping the shackles of women imprisoned --patriarchal family, "dwarfing" even vilifying men, symbolic Butcher, the absence of men, women narcissistic.In the second chapter, the "anti-family" narrative in the feminine novels of the new period is not simply responded to some parts of western feminist, but more of Chinese social or cultural changes. It is Chinese women that ask questions. It is obviously necessary to describe "anti-family" narrative in feminine novels of the new period with Chinese social and cultural context: the discovery of pseudomutuality, the anomie and diversity of the period of social transition, individualization and pure relationship, and the awareness of men and women's dislocation. In the third chapter, the "anti-family" narrative in feminine novels of the new period mainly describes women that are disappointed to patriarchal families, despair of men, while women in the "anti-family" trip are also physically tired, exhausted. They oppose to the order of traditional culture and the possession of men to women, rather than deny a particular man or men'groups. They are only for more harmonious coexistence with men, while developing themselves. This is a bumpy road for the contemporary women who achieve happiness to go through.In the fourth chapter, when they persist in their worth, right always conflicts with responsibility and morality. This has caused a certain ethical dilemma in the community, also created a feminine plight. This is "Ake flow Andean Heel" of "anti-family" narrative in the feminine novels.However, in contemporary China, it has demonstrated the existence of courage, regardless of "where is the home," no matter how many contradictions and puzzles of their own, regardless of how difficulty they get rid of the situation is, as long as women know their own problems and have courage to make their voices stronger.