Fiction And Religion In The Period Of Social Transformation

This dissertation is to study the religious writing since the third Plenary Session of the 11th CPC Central Committee under the context of "an integral whole with variety" embodied in Chinese culture. Provided with some works, it reveals the cause of creation and diversity of nation, ethnic and personal narrative word from the aspect of co-exist of mainstream Han's culture and fringe minority culture. It also expatiate pluralistic process of religious writing in the historical social transformation content. Firstly, it describe how the religious writing resuscitate in the text and get rid of the control of political speaking model, participate in the tide of "Root-searching" and "Pioneer writing" until become the essential factor of writing from seventies eighties to early nineties in last century. Secondly, it depict the place and exhibition of religious writing in the wave of secularization in nineties of last century. Thirdly, it takes Zhang Chengzhi and Beicun as the study examples of the two periods respectively in Chapter 2. In addition, in Chapter 3, the dissertation takes the three writers: Zasikawa, Allai and Fanwen as subjects, revealing the transformation of Tibet Buddhism and the functional aberrance of Tibet Buddhism elements. Lastly, it discuss the difficulties and deficit of religious writing.