Concern On Chinese New Realism Oil-painting

In the age of global communication, the culture resource can be achievable by any individual more conveniently. Self cognition is affected by technologies, which makes individuals more limited and partial. Individuals can hardly grasp the world from holistic approach. However, the localization of "Self cognition" in arts is not a tragedy, on the contrary, it can become the reason of optimism. Arts must return to reality, become a life style of individuals who are concerned about and meditate their life, face the problem of the world and themselves. In summary, self cognition becomes the idiosyncracy of eorealism. The localization and uncertainty of individuals dissolve the arts of present age as well as the Chinese oil- painting 's attention to magnificent narration.In the Introductory part, the author of the thesis listed three major Chinese oil-paintings exhibition, which reflected current artistic qualities of the New Realism.Part one contrasted realism and the new concept of realism and refered to "self" in the new sense of realism reflected.In Part two, introducing the development of China New Realism oil-painting, and particularly proposed distinction from China, Europe and the United States new realism.Part three is focused on two aspects of Chinese New Realism oil-painting performance characteristics: Language forms and self-expression. Self-expression in the Chinese oil -paintings as a concrete expression of "I" words enlarged and rational and emotional tendencies.Part four described the Chinese New Realism oil-painting of the current development and future prospects of the Chinese oil painting.Conclusion part expressed the personality of Chinese oil-paintings and self-awareness is a regrettable tendency and incomplete, but at the same time real and concrete.