Huang Bin-Hong's Painting Aesthetics Ideas

Huang Bin-Hong, a Chinese modern outstanding artist, is the representative person of traditional Chinese painting and a Chinese modern art educator. His art theories and painting practice include abundant cultural content and modern consciousnesses. His painting esthetics ideas had the prospect and leading meanings regardless for the Chinese painting esthetics theories at that time still nowadays the researchers all had the important influence and the apocalypse functions, even for the development of the whole race culture, all had the prospect and leading meanings. Huang Bin Hong commences from the quest race cultural source head, the with the spirit of strong and moist "and" the inner beauty " remolds for the esthetics that the art create points to return.This paper sets out from the big esthetics view of Huang Bin-Hong, mainly dividing two parts: The first part, introduce the art process of Huang Bin-Hong and the philosophy foundation of his esthetics ideas. His art progress can be divided into three periods: In the earlier period career of Huang Bin-Hong, hurling himself into the social sport and the question of the existence are the leading, are also his art realistic source that principle is the most basic. The years after 60 years old, the painting style of so-called "black close thick heavy" and "strong and moist" starts presenting out gradually. At about 84 years old, he has established his unique art style in a lifetime. His art philosophy belongs to the category of the "Zhuang Zi"philosophy on the ontology." Way" is the ontology basis of the Huang Bin Hong's esthetics ideas, is tallest state of its painting esthetics pursue.The second part, Huang Bin-Hong's painting aesthetics ideas. This chapter divides three sections, discussed respectively Huang Bin-Hong how to observe on Chinesepainting, his art ideal, his history view of painting develops and his affirmance about Chinese traditional culture. Huang Bin-Hong talks about the contents of the painting to include his "superior medium inferior" three artistic views and a distinction between the scholar painting and the literator painting. "Inside beautiful", is not only from inside to outside of material existence namely the pen and ink spirit, also is from outside to inside of spirit existence. The sovereign learning attaches importance to the outward appearance, attracting the sovereign. The civilian learning thinks much of the spirit, bring into play himself. So the art of the sovereign learning require the outward appearance orderliness only good-looking, but the civilian learning call for the spirit beauty". Huang Bin-Hong claimed that turn the culture spirit to save the country, even the art saves the country. He think" painting that can represent Chinese nation is the real civilian learning .In his eyes, the way of the learning and art of Chinese nation lies in developing the civilian learning t.