The Image Writing Of Hong Kong In 1997 Period

This thesis probes into the artistic style of Fruit Chan's films. The thesis is divided into three parts. We know about the experience and lessons to movie development of Hong Kong and Chinese by the analysis of exist environment, the choice of words and art character of Fruit Chan's films. The first part is "Fruit Chan's films: the exist text and the choice of words"Hong Kong's movies have shown their momentum and vitality in Hong Kong's culture, which is characterized by commercialization and colonization. Consumption tendency and sample styles are the convention of Hong Kong's movies. The pursuit of culture identity has been the important meaning in Hong Kong's movies. Fruit Chan's films arise at the historic moment in the 1997 period. He attempts to get rid of the shackles of the commercial profit and takes serious artistic manner in his movies aiming to ponder culture and spirit of Hong Kong's people. The films have become eccentric artistic practice in Hong Kong's movies. Fruit Chan has dual culture status of mainland and Hong Kong. He starts from the basic unit with the artistic tendency to learn and assimilate from many different resources. So it takes on heterogeneous state in his films. The second part is "the art character of Fruit Chan's films"Fruit Chan's films reveal the dilapidated social appearance and difficult survival landscape through describing the subsistent circumstances of the marginal characters of the lowest rung. The reflection and imagination of Hong Kong's culture in Fruit Chan's films include the tracking down and demolition of experience of colonialism, the allegorical writing of Hong Kong in the 1997 period, the metaphorical expression of the relation between Hong Kong and Mainland. His films take the individual marginal as observing pointing to have an insight into Hong Kong. They involve the shaking of...