On The Various Study Angle Of Scriabin's Early Sonatas For Piano

It is a history duty of music analysis work that to sum up the discoveries of different analysis skill and angle, to provide enough data for identifying and comparing of works belong to different age, and to service well to music artistic creation and theories study. Adopting various analysis method study works composed by traditional technique skill or by modern characteristic skill have the same important meaning.Scriabin's early sonatas for piano are foundation and origin of his artistic career. This text intend a few and different music analysis method in adoption to analysis and study them on song type, comparison, topic, melody, rhythm, rhythm, harmony, and tonal. On the one hand try to explore the composer's artistic characteristics completely, systematic and thorough; on the other hand also to display the characteristics and advantages of these analysis method by the application of them in these work.Scriabin's early sonatas reflect the influence of aesthetics idea and composing skill of classical and romantic age, have the characteristics of typical sonata song form. The arrangement of tonal and mixing song form in the 2nd sonata show characteristics of 19 centuries that pursues to expresses well headline contents, provides in larger development for the music on the song form. The study method of proportion relationship in the works adopted the traditional mode of gold section and symmetry etc. Through the analysis of the main theme, we can see the topic material of the first sonata all come from three topic features a, b, c; the 2nd sonata then major with the inverted reflection of b feature and c feature, the 3rd sonata still composed primarily with the two feature s b and c. The usage of b feature flexible and varied, and occupy advantage on the quantity. The second theme in the 1st movement and the central theme in the 3rd movement of the first sonata contain astonishing likeness with Chopin's nocturnes Op9, Nr2 in the aspects of topic melody constituting. Comparing with Chopin's three sonata work, the earlier work of Scriabin's sonata of piano have already surpassed in the rhythm and bar. The rhythm type with alive and intense emotion, an unbalance arrangement of accent between voices, the triplet and the phonic rhythm and a large quantity of fast flowingly rhythm material displaying a familiar appearance of romantic doctrine and some special appearance of the composer. The basic harmony skill in the work belongs to the category of 19 centuries, can be traced to the same origin from European romantic doctrine style, but have already displayed the strong characteristic too. The tonal and the mode of these work still based on traditional major and minor size, from them we can observe several kinds of tonal and mode arrangement type like" arch and symmetry form" etc. The greater part of harmony and tonal element composing these works based on romantic and classic doctrine tradition. But they have proceeded to the modern style at the beginning of trial.