In The Spirit And Mind

This article makes some discussion on connection from religion, myth and spirit of Qu-Yuan in Nine Songs-Songs of Chu,being in well made use of literature date and archaeological data.The article try to find out, the troubadour who hovering between manitou and spirit, how to make use of these religionary, mythic theme, and how to convert them into art of individual experiences. Nine Nongs made Qu-Yuan entering the holy land of the primitive religion successfully, according to the ceremonial emulation, and pass it found out own stance; with the help of the religious motion subsequently , can drain fully blahs and indignation. So that he can come over from the edge of the breakup.Nine Nongsoverstep the fabulous legend in myth of time immemorial. It is not the myth of time immemorial without change in brief with repeat, but developped the latter on the higher level of structure, combining to display the enormous and unique. Nine Nongs is the intertexture of esthetics manner with life and beauty. What character Nine Nongs express ,although root in sorcery culture, overstepped the sorcery culture again. This kind of overstep is the overstep of spirit, which was done by a wise man. Nine Nongs is sacrifice songs, is also personal lyric poetry in Qu-Yuan. The fiesta being melt with sentiment mutually, the ghost matter combing with the personnel, if namely if leave, the truth or falsity, Nine Nongs become the equation of the spirit song and folk-custom and poet's sensibility.