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Aesthetic Activities Free Of The Limitation Of Time

Posted on:2004-04-06Degree:MasterType:Thesis
Country:ChinaCandidate:J LiFull Text:PDF
GTID:2155360122960380Subject:Literature and art
Abstract/Summary:PDF Full Text Request
The aesthetic activities of human beings base on the formation of the subject's ability of aesthetic perception which is determined by aesthetic schema. Aesthetic schema is a developing structure of strength, which in different periods produces different aesthetic perception, thus leads to the differences of aesthetic types. Human beings' ways of exchanging information in certain circumstance play a very important role in the construction and development of aesthetic schema. A man is the combination of information and substance. The subject's integration of information is more important in the electronic environment. As the expression of the subject, information forms the indirect existence of the subject, which is different from the direct existence of the subject. Environment is the total of man's residence and human relationships. The electronic space-time itself is a mirage and a super-reality. Electronic environment is the integration of physical and electronic space-time, man's real and super-real living circumstance, and the sum of human interpersonal relationships of direct and indirect existence. Different environments are caused by different ways of information exchange. Information is transmitted by digit in electronic environments. The fast transmission of the electronic information makes the object show itself in the way of Mosaic and shells the object out of the order of physical environment, which confuses subject's ability of perception, such as the disappearance and disorder of space-time. The traditional aesthetic schema in which the subject takes the physical space-time as prior measures cannot get used to the great changes of the living environments, and is unable to adopt the object's expression order of the aesthetic information, which leads to decrease of the traditional aesthetic perception and the subject's being unable to adapt to it. The change of the way of information exchange cause the change of the space-time idea, that is, the linear and irreversible time structure of the traditional environment is transformed into reversible non-linear time structure of electronic environment unconsciously. It's obvious that space-time has not disappeared but changed thestructure of direction in the electronic environment, which tends towards the original space-time structure of life. So the electronic environment has not cleared up aesthetic activities, but helps to have an opportunity to construct a new type of aesthetics which still needs a long time to develop. To adapt to the electronic space-time structure in new aesthetic environment, subject will set up new aesthetic schema and develop the ability of aesthetic perception. Time as the prior measure of the aesthetic schema, its division standard influences directly the difference of structure in space-time, which means the change from atomic aesthetic schema to digital aesthetic schema. The digital aesthetic schema is a nonlinear time structure of multi-core and multi-nature. The subject's indirect existence of different space-time in the web has a multidimensional view to the subject's direct existence in the physical space-time. So the subject reveals the hidden in lives through multidimensional views, and has a free aesthetic judgment in nonlinear space-time structure. In the external environment of the information exchange of reality and super reality, the electronic aesthetic schema develops the subject's aesthetic ability in the process of completing the split information, realize the identification transfer between the subject and the object and provide the indirect existence with a chance to activate the entropy of the direct existence. In this sense, the electronic aesthetic schema can be regarded as a developing aesthetic informational translation system which has the ability to transform the aesthetic ability, the object of aesthetic activity and the style of aesthetic activity.
Keywords/Search Tags:aesthetic schema, information, entropy, space-time, whole form, indirect existence
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