On The Formation Of Modern Chinese Painting

This text tries to build a frame consisted of purpose , member and construction for the formation of painting by structuralism's viewpoints and methods as a whole. And the research about formation in modern Chinese painting is on the model of rational characteristic. The text shows the relation and difference between traditional and modern Chinese painting about formation through the description and analysis of formation in modern Chinese painting and its origin (traditional Chinese painting), and emphasizes that only on the basis of critical inheritance and fusion can modern Chinese painting make a perfect and creative system of painting formation, then realize the transformation effectively from tradition to modernization in Chinese painting-the ancient national art.