Identity And Conflict

Chinese modem literature launched a movement of the left wing literature after entering the "30's literature" period. The Marxism and realism direction was made as an important adjustment in literature thought, which was a desirefor getting in touch with the international proletarian lileneture and an inexorable trend of the modem literature. The political consciousness brought something new for the modem literature surely. But vulgar sociology was brought into literature creation and criticism too, which made the literature opposite to the true realism. The harmful tendency aroused the attention of true realist with international proletariat literature theoretician Lukacs and Bertolt Brecht .Chinese left wing literature critic HuFeng persisted in rectifying the harmful tendency in literature.1s a member of the left wing literature camp, HuFeng's thoughts had identical views with the left wing literature thoughts on some main literature problems, same political attitude, thinking highly of contents and making light of forms, as well as strongly subjective color and romantic intense emotion. However, identity is not that they have no difference. They have many conflicts also. The appearances were the arguments on typical problem, "two slogans" problem, national-form problem, and the different comprehension of subjective theory. The depth of their conflicts is that different sense and origin of literature. HuFeng's subjective spirit has the important meaning to the development of to the development of the modem literature.