Study Of Country Complex And Country Writing In Wang Anyi's Novel Creation

In the view of modern literature, Wang Anyi is one of pretty mature and greatly influential writers. From the late 1970s (called New period of creation), Wang has written a large amount o excellent works. In Novel addition, Wang keeps the state of vigorous improvement and innovation in writing novels. As an urban writer in Shanghai, Wang keeps high inspiration all the time r country and country writing. A series of her novels typically depict life and images of countryside. This thesis proposes that Wang's novel creation shuttles between urban and rural life. Wang conscientiously put her emphasis on country writing. All of these mainly originate from her country complex. What's more, this complex runs through the process of her novel writing, and is presented in different stages. This guides the continuous change and expansion of novel creation. Based on detailed analyses of Wang's country complex, her features o f implication and aesthetic variety o f country writing and her ways and characters of country writing as well, this thesis discusses her novel creation in comprehensive respects.The first part mainly deals with country complex: dominant character and recessive character. Country complex offers space for Wang's unique narration. Supported by the typical country theme as dominant character, Wang's writing illustrates country life and narrates stories there to largest extent. This thesis offers careful analyses to the courses of Wang's country complex in terms of recessive characters.Owing to Wang's early years of country life and experience, childhood memory, shade of Ru Zhijuan, her mother and her own seeking for literature personality, Wang has developed her country complex.The second part focuses on country writing: the features of implication and aestheticchange .It mainly state the expression of theme implication in country writing, and the changing state and process of aesthetic appreciation. Taking the countryside as writing background, Wang's country writing displays people's life and living state, which is beyond writing with the theme of country. Supported by the country theme, the author pours her passion for countryside and value judgment in her writing. For one thing, Wang's country writing expresses the authentic living condition in countryside. The themes range from the description of "Scar" to critical guidance, from tender and courteous praise to the construction of spiritual homeland. For another thing, Wang's country writing presents villages as a form of aesthetic appreciation. These, to greater extent, result from her heartfelt pursuit of lifestyle .In addition, Wang's country writing takes urban writing as its mirror .From La Kang's theory of mirror image, this thesis discusses the relation between country writing and urban (Shanghai) writing. Both of which are mutual mirror images. They permeate through and set off each other. Enlightened by establishing the core and essence of her country writing, folk modality of urban writing and everyday life in urban and rural areas, Wang finally finds out her own way to express aspects of urban and rural life.Last, but not least, is country writing: narration methods and features. In light of narration theory and method, this part mainly analyzes Wang's country writing in terms of narrator, views of narrating and narration methods. Besides, it interprets Wang's "Four nots" she strives to in her country writing.The country complex of Wang Anyi's country writing has become the realistic resource, spiritual resource and aesthetic resource of imagination and narration of navel writing, It also initiates the country writing brings up the achievement and role of Wang' Anyi in modern literature . Her country writings implication character, aesthetic change and innovation, changes of seek on art provide references and experience for modern literature.