| This text is the type research to Chinese New Year Movie. Through combing to New Year Movie that emerged at the end of 1990s, Observe its complicated linguistic context of naissance, carry on objective appraisal to its gain and loss about art and thought of that cause until firm market pursue. Judge its industrial meaning to Chinese film development nowadays, discuss Chinese national film development under new linguistic context, offer the discussion of a certain possibility to build film character of growing with each passing hour, being able to promote national development and film industry of modernization construction.The type film is a creation phenomenon ignored for a long time on the contemporary Chinese filmdom. And commercial production is a topic being repeatedly demoted, but this is the most effective, most key link to develop national film industry at present. Abolish the prejudice existing for a long time, give them research and support on the cultural science aspect is not merely essential, but urgent too.The subject of this text is divided into four parts:Part one: banner-bearer of New Year Movie -Feng Xiaogang. In directing, Feng Xiaogang form one ripe commercial narrative mode and relative steady comedy style gradually in New Year Movie for four years in succession.1), commercial narrative consciousness. Audience complex and market theory that Feng Xiaogang has clearly in heart makes him respect audience's demand, his film is deeply beloved by audience in video choice of personage, star-strategies' implementation, excavate to audience deep desire, many kinds of establishment of game, etc.2) Unique Beijing-flavor humor. Humor is the most fascination of Feng Xiaogang 's New Year Movie, and distinct Beijing-flavor is their remarkable characteristic. His humor include friendly teasing to oneself and others, dramatically imitating to the classical revolution words and instantly popular market Mandarin, and more of them is tickling like comic dialogue, make audience have a taste of intelligence of director during the process of sampling humorously.3) Post-modern comedy try. piled up, pieces together, dramatically imitation ,destroyingthe way of constructing etc. in a large amount in the film, make the line between true and make-up, history and reality, lofty and fantastic fuzzy.Part two: Linguistic context of naissance. The production of any kind of phenomenon can not do without the specific linguistic context, the success of New Year Movie is even more like this.l), The transition of society and culture offers the opportunity for appearance of New Year Movie. 2), The 1990s filmdom situation reserves development space for New Year Movie. 3), The inspiration of light literature, TV play leads New Year Movie to go on the market-oriented road.Part there: Basic forms of New Year Movie. Because the directors follow together with the common principle, New Year Movie presents the distinct type characteristic. According to the subject matter, we can divide it into four kinds: 1), Borak New Year Movie. 2), Love drama of the youth. 3), Life movie. 4), Innovative city movie.Part four: Aesthetic characteristic of New Year Movie.1) Press close to currently life, demonstrate dream of common people. Stylish and daily is its remarkable characteristic.2), Film language that expresses the meaning clearly. Narrative view point, narrative time sequence, the establishment of the story, plot, treatment of final result, etc. demonstrate all the aim that" the form serves the content".3), Emphasize the amusement function, abide by the game rule. New Year Movie has created the relaxed view environment.4), Innovate to the comic film. Not only the content subject matter of the abundant comedy and form of expression, but also paid attention to the time being most suitable for the showing of the comedy. It has inspired the showing of domestic film.Epilogue: Carry on objective appraisal to existence value and artistic defect of New Year Movie, Appeal for the rapid growing up of type...
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