Try To Talk About The MaiJiShan Grottoes Element Of Language Early Statue And The Inherent Meanings

Buddhism is one of three world religion, in its two thousand years of development history, Buddhism with its profound theoretical doctrine of human culture, history, politics, produced a significant and profound influence on Chinese society and Chinese art history so, for the same. As a buddhist grottoes in China MaiJiShan heyday in northern and southern dynasties historical testify, not only reflect the doctrine of that era, and represent the characteristics of its artistic level. Jin and southern and northern dynasties in Chinese history that a country apart, social unrest, people have suffered painful special period, but can be boomed the reasons of time and society, especially in the vertical and horizontal analysis buddhist thought and foreign buddhist art, under the influence of Chinese sculpture form, content, technique and theoretical had a series of changes, By buddhist art creation makes the local art can develop in an all-round way and reach a peak and emerged in large cave temples group, in buddhist art in the process of sinicization of buddhist art, on one hand, foreign language as the native has brought many new techniques and creation style, on the other hand, traditional Chinese sculpture skills and profundity, determines the development of buddhist art in China present diversity and heavy and complicated sex.This article is to explore and analyze MaiJiShan grotto art style deduction early statue framework and the development changes, and reveals the sculpture art language in the period of wei and jin dynasty evolution course, this paper discusses the fundamental dynamics and inner spirit of buddhist doctrine and metaphysics of art in art history of important status and influence.