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Research On Patterns Of The Tomb Of The King Of The Nanyue And The Exploration Of Reapprication

Posted on:2012-07-05Degree:MasterType:Thesis
Country:ChinaCandidate:L L WuFull Text:PDF
GTID:2155330335974265Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Nanyue tomb is the second generation of South Vietnam, Han Wang Zhao unobservant (HU) of the tombs. The tomb unearthed type diversity, unique, superb technology, coupled with the well-preserved tomb, not excavation, so these artifacts are a traditional decorative patterns of South Vietnam valuable kind of information. South Vietnam South Vietnam tomb pattern is the most intuitive artistic portrayal of the country, due to their own particular historical background, local and foreign graphic element graphic phase hybridity is an important cultural heritage of the Lingnan area, which corroborated the historical development of the period, showing endemic aesthetic, reflecting the artistic features of South Vietnam in the period.The face of new subjects, new materials, the influx of various foreign movement in art, culture and art of Chinese traditional unprecedented impact, in this situation, we are facing in the modern art of how to design and further development of traditional patterns, Reconstruction of the problem. Pure imitation, simply copy our art will superficial, loss of vitality. In succession at the same time, to achieve the reconstruction of traditional patterns, derived from and consistent with both national characteristics of the visual elements of the times that I write this purpose.In this paper, the artifacts unearthed tomb in Guangzhou of South Vietnam as the research object patterns, South Vietnam tomb of archaeological excavation reports first-hand information, first tomb patterns in accordance with the subject matter of South Vietnam are classified as animal pattern, plant lines, geometric patterns, astronomical phenomena pattern and the pattern of five major department figures; and patterns of use of modern science, graphic analysis of science, design science and other knowledge of the country of South Vietnam during the interpretation of the concept and art design aesthetic composition, analysis of patterns of visual elements and composition rules, including rules and composition form of law; Finally, the deconstruction of patterns of South Vietnam tomb, reorganization, creating a new set of design patterns for traditional patterns in modern design re-use to provide new ideas, explore the traditional elements of heritage in modern design to increase the cultural connotation of modern design.
Keywords/Search Tags:SouthVietnam tomb, patterns, visual elements, reapprication
PDF Full Text Request
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