Literary Motif Rsearch Of Anhui Province Writer's Drama In The Ming Dynasty

Over the past decade and more, the main contents of the Yuan, Ming literary study of classical drama, and achieved fruitful results.However, with the motif of theories to explore areas of classical drama from the macro works on content, form,historical development, not yet fully mature.Because motif (motif) Comparative Cultural Studies is the study of the scope, of the Yuan, Ming and Motif for the study of drama, put the play in the form of inquiry leads to the study of comparative literature and art, cultural anthropology vision to the ancient PlaysCross-style research, cross-national traditional research, cross-cultural form of research, opened up a specific path, but also explore the classical opera and folk drama, drama and even abroad, other ethnic minorities in the content of drama, elements of the commonality, relevance, to finda breakthrough.Motif definition of opera - opera works, which mainly refers to the stability of inheritance, the common structural features with the smallest unit of the plot or narrative units; sometimes expressed as a type of image, feeling, idea or symbol of the prototypeimages.They appear in many works, appearance, minor, or by loss of form or with a bit different, but the structure, content, charm, flavor is relatively extended.This paper based on the Wan people play, select the fifteen years to Tai Cheong Ming Wanli reign (1587--1620) years, three as a playwright of some play areas.Are: Mei Dingzuo, She Qiao, Wang TingNa.Including "YuHeJi" "ChangMingLv" "LiangJiangJi" "TiangShuJi", "ZhongYu Ji", "ShiHou Ji" Legend of the six plays. : Fifteen years of Ming Dynasty to the first year of Anhui playwright overview.This chapter from the Ming Dynasty, the upper half of the legendary Boom period for time.Created during this period will be active, three people playwright Mei Dingzuo Anhui, She Qiao, Wang Ting Na's life situation of a brief description of works.And a brief description of their relationship and Friendship between the tendency to create drama.FIRST: Mei Dingzuo play the Drama Literary Motif.Select Mei Dingzuo existing two legendary work, "Yu HeJi" "ChangMingLv"Explain in Section I of the history of opera in the evaluation of the two legends.Section II of the opera which contains motif to sort out.Include: Huaichun, Huai just lag apartment, private property token, who fell in love with prostitutes, Bingluan and so on.SECONED:SheQiao Motif in drama literature.Fifteen years as the Ming Dynasty to Taichang the first year of active membership Anhui playwright, He works only extant drama "LiangJiangJi"the existing version and synopsis.Summarized in the history of this legendary drama of the bibliographic and evaluation.Section II with the "quantity Kong Kee," the story, which will be opera motif for sorting and discussed.Including: The Masquerade seclusion, the villain and the trap, martyrdom martyrdom and so on.THIRD: Wang Ting Na plays the Drama Literary Motif. Question on a play under the name of Wang Ting Na, the existing number, known as the "HuanCuiTang Drama", he was recorded very rich.This chapter select one of the three legendary work "TianShuJi" "ZhongYuJi" "ShiHou Ji", the opera motif of induction.Section "TianShuJi motif in the opera literature.Section II, "ZhongYu Ji" motif in the opera literature.Third, "ShiHou Ji" motif in the opera literature.In three parts, each chapter is divided into two sections.First play in the ancient writings of the recording in opera and evaluation of induction, and describes the development of its version.Secondly, with specific work, which sort of opera motif.Include: dreams, two women, one husband, henpecked and jealous women, gods help, and the destiny gods spoke to the former set, barbarians committed side and so on.