Inheritance And Innovation Of Light Perception In Chinese Landscape Painting

Traditional Chinese landscape paintings mostly take an evasive attitude to the light sense in their writings and paintings because of the Chinese unique philosophy cultural thoughts, and unique way of seeing, such as the subjective experience of nature and cavalier perspective, and because of very oriental aesthetic impact of attitudes, such as the "Great Music Sound, "" extremely gorgeous attributed to flat. " But it is a beneficial avoid, which attentions Landscape ontology spirit and ignores light sensor Subjectively.At the same time precisely because of this, for the use of light perception in the landscape of the creative element is rush. But Nature is varies that rocks structure has its own peculiar structure, The trees have its various changes; Similarly, in the landscape scenery, Natural changes and aesthetic feeling that the light being brought to mountain also exists and it is rich and changeful. The artist need to realize himself and the nature, and express self feelings and ambitions through natural landscape paintings.Meanwhile, although light sensor is the expression means to the western painting peculiarly, but also can serve for Chinese landscape painting, Chinese landscape painting can try as long as the reference is reasonable, which is a bold exploration to the art of landscape painting. So we need to discuss the concept of light sense and to know how to make the light sense as a means of expression, and further analyze of the inheritance and innovation of it in the landscape.Although in the history of Chinese landscape painting, on the one hand, the traditional sense of the performance of light and landscape painters of this approach has adopt to avoid and conservative treatment methods, and most artists overlook this means, both intentionally or unintentionally, painters who use only on the mountain over there have been some changes in black and white, gives a limited sense of the visual effects of light. Gong Xian's landscape even in just black and white ink is also a gradual approach, a little exaggerated, but not enough to life. On the other hand, in modern, contemporary landscape painting explore more to the light senses, using the method of exaggerating sense of light area, light perception changes in the traditional . color, depicting the theme of changes in methodology, perspective method and the ever-changing composition. The optical sense of innovation has made substantial progress. Therefore, firstly we want to find how to explore the way in carrying forward the traditional as an artist and their sense of light in their use of the screen and China. Secondly, to analyze the traditional, modern, and contemporary Chinese landscape paintings, in the end, to find similarities and differences in the light perception performance of the traditional Chinese culture and Western culture. Thus we can find the Chinese and Western painting, and cultural awareness of the common sense of light and differences in order to be of use. Thus the above points to a sense of light in landscape painting in the use of summary and landscape through the creation of the author experience, to be addressed, some suggestions and guidance. Further play a help to the light of the application of the future.