Buddhism The Secularization Of Flower Designs The Rheological

We review the whole tradition, the history of auspicious patterns can be found easily in the pre-qin between with the tang dynasty, there is a clear divide, this is the flower designs, and quietly rise completely replaced the traditional pattern of animal model become traditional pattern of the mainstream. After the song, yuan two generations later, flower is lucky design in China becomes the most important traditional adornment element, flower its various graceful modelling in China's vast land full of secular life breath. Is permeated with folk auspicious implies Chinese flowers design, in the Ming and qing dynasties is combining with elegant, is deep secular culture.Flowers, is beautiful incarnations, witty crystallization is heaven and earth. The ancients love flowers, enjoy flower, cherish flowers, lies in its relatively pleasant and know its bone. If the ancients said:"MeiBiao qing bone, LanTing nexus, apricot charming fragrance YanShuang hydrophobic beautiful, chrysanthemum, proud, peony, GuoSeTianXiang narcissus pure notable HanJiang leng yan, lotus pond slowly."This article mentioned buddhist floral patterns secular rheological dating of Chinese history of Buddhism from most brilliant prevalence of tang dynasty, exact should say that began in Ming and qing dynasties began to extend to the tang dynasty the rheological described. The paper introduce the flower designs form and character closer together, avoid pure formalism and pure cultural center of the narrative, with the flower design organic combine historical culture to Buddhism and the secularization of flower designs in the rheological process as a strict aesthetic culture to research.This paper emphasized by the pattern of flowers on the clues to chase traditional culture, national imprint, dialectically discusses such problems in the art of spirit. Essay attempts to clearly stated, Chinese buddhist pattern of flowers in the cause of the secular the rheological and its significance.