Embodiment Of Pitch-Class Set In The Late Piano Sonatas Of Scriabin

Alexander Nikolayevich Scriabin is a composer and pianist of Russia in the early twentieth century. The prominent feature of his works is tonality harmony with "mystic chord", and this tonality harmony has shadowy and mystic feelings. The feature is distinctively mirrored in his late piano sonatas.Scriabin's sonatas for piano are foundation and origin of his artistic career. This text intend a few and different music analysis method in adoption to analysis and study them on song type,topic,melody,rhythm,harmony and tonal. On the one hand try to explore the composer'artistic characteristics completely, systematic and thorough; on the other hand also to display the characteristics and advantages of these analysis method by the application of them in these work.Scriabin's late sonatas for piano, no tonal and the song confused. Sound is found indifferent type, structure is break traditional reform. Late sonatas own one chapter reform. About melody, left hand and right hand use of different tonal, rhythm appear three and five or four to five.This situation always appear. About topic, Scriabin break to traditional topic but according to traditional topic and topic return origin. Scriabin's late sonatas for piano, feel his research and practice, respond to high composer request. Scriabin is a only phenomenon.