Nineteenth century was a time full of change, the impact of various scientific and technological inventions of the painting as a record of image function. This had prompted artists to find new forms of painting and drawing language. Language as a basic color paintings constitute the most important element, was carried out to re-examine the artist, in the tradition of painting, the color the client in form and color in the painting only played a certain stimulus; Artists painting in the language of the constant exploration and practice, the color been liberation: the symbolic use of color and emotion, the painter can make better use of color in the works to express their subjective feelings; artists use different color blocks arrangement to deal with space and perspective to break the principle of only using the past to deal with the deadlock in space; Symbolic use of color and emotion, the painter can make better use of color in the works express their subjective feelings; artists use different color blocks are arranged to deal with space, breaking the perspective of the past only the principle of using the space to deal with deadlock ; Color after the liberation, for the treatment of light is not as original as a single, all over the screen fills with bright colors, even in places where the screen backlight can still see the brilliant colors, light treatment also will diversify ; Even where the screen backlight can still see the brilliant colors, light treatment also will diversify; Color can constitute a form of volume and define the role of the artists under the same brush been proven. In modern painting, the color is not the shape or composition with the need to become an "adjunct", more and more as their own and there, the shape and color and gradually get rid of the subsidiary and the affiliated state, color but played a strengthened form of visual effects. Modern painting artists reproduction of visual experience out of the plastic arts tradition, to have self-expressive elements such as points, lines, surfaces, colors evolve into symbolic notation, which in modern painting is very meaningful. |