Feminism In American Films Since The 1960s

Given the long tradition of male-dominated culture in human history, feminist films, defined as a narrative for women, about women and watched by women, have been constantly discredited as a trivial, which does not enjoy much reputation in the movie industry. In an attempt to defend such a much-maligned genre, this thesis intends to provide a fresh view of American films——feminist films, which break with the male-dominated films and validate the women's perspectives from their experience in society.In essence, feminist films challenge male-dominated Hollywood formulas and invent independent and vigorous female images, thereby creating a genuinely feminine text that defies the conventional"orthodox"aesthetics. Nevertheless, it should be pointed out that relationship between American feminism and American feminist films is not to be dismissed. For instance, we can not ignore the fact that the social function of American feminist films is to liberate women's rights both in the home and in society. However, such impropriate methods as utilizing the violent women images or antagonism to fight against the existing patriarchy are largely opposed by viewers, so exploring appropriate ways to express women's desire and emotion is a must for film directors and scholars.In an attempt to explore and develop new approaches for American feminist films studies in light of American feminism, the thesis begins with an examination of main feminist theories, to be followed by an analysis of these theories as reflected in American films. Based on these examinations and analyses, the thesis proceeds to discuss the main characteristics of American feminist films over the past half a century, singling out the most representative features of feminist ideologies as revealed in these films. Finally, on the basis of the above discussion and analysis, the thesis offers a tentative critique about American feminist films in relation to feminist theories, trying to shed some light on the success or failure of these efforts in portraying women in their own light and on their own terms. The thesis argues in conclusion that using the appropriate way to express women's true feelings and the gendered culture is not only important but also indispensable in the presentation of women in films.