| Animation is a synthetic art which contains a variety of techniques such as painting, writing, editing of the director and so on. The feature of animation that it is not live-action decide that it has the characteristics of high unreality: Firstly, action design is completed by the animator through the hand-painted work. Secondly, shot and movement is designed according to the audiences'vision habit by animators. In sum, character motion and shot is changed to a whole from independent questions. This change requests that animators must comprehensive grasp the rule of arranging character motion and shot, they also should master the Interactive relationship and restrictions between them. These years the number Chinese animation has increased rapidly, but the motion in some of them is dull and faceless, and some of them have no high levels of shot arrangement in order to cooperate with characters performance. These disadvantage affects films'consistency and expose the problems in cooperation of motion and shot. And its corresponding is that the research on combination of character motion and shot in animation movies is hysteretic. Often the researchers are focused on its painting features including cartoon image, animation scene design, movement rules and so on. There is no animation audio-visual language research which refers to the movement design. Matters needing attention in combination of character motion and shot are not discussed too. Film categories are classified by technical form and art styles. Both of them affect not only the features of action and shot but also their cooperation. The purpose of shot arrangement should always be how to better serve as a foil to action which includes lens Angle, the camera movement and clips. There are a number of factors influencing movement and shot:Action category, character, plot development, even including auditory factors,and those are problems that should be paid attention to in the course of our domestic animation movies development.
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