Chinese Paintings Of Metal Materials Expressivity Research

Chinese painter in the use of metal materials has a long history. Metal material in Chinese paintings by the application of Buddhism is the flourishing and because of Buddhism, develops. Metal material is mainly refers to the gold and silver, gold and silver flickering brilliance and rare and expensive, in on the mural can produce resplendent and magnificent effect, has been hailed the ruling class riches and honor, rights and the afterlife renewable symbol. As the supreme religious sacred, gold and silver beyond time eternal luster has sacred, awesome, longing. In religious mural, as the visual effect of rendering the mystical, in order to show the deterrent threats of religion, so the people's spirit, it becomes indispensable materials. Chinese painters use metal materials have clear records is in tang dynasty, the flourishing of silk road at the east-west cultural impact, and fusion, the introduction of Buddhism arts and big rich expressional technique of metal materials. In order to publicize the Buddhist doctrine social demand, large murals, sculptures and monasteries construction for metal material apply provides more performance Spaces. Such as:built in the yuan dynasty QianQin grotto hackney dunhuang paintings, completed in the RuiCheng 1324 years of shanxi of Ming yongle palace sanqing hall mural, finished in 1443 murals fahai temple in Beijing.Throughout, Chinese fine art historiography, human from their own hair removal that moment, minerals color was brought shock enemy, the color of imitating animals with colored body on your body, adornment soil. Things can be erasures all became painting grounds, people in the rock walls, caves, ground, plank, pottery earth and mineral pigments painting. The neolithic dating back more than 5,000 years of primitive simplicity, BanPo original pottery, yangshao coloured drawing or pattern, compartmentalizes the land of rich color painting, painting and minus Bahia, resplendent and magnificent Dunham frescoes, the tang dynasty color richly, composed a claboratestyle Chinese art history. After tang dynasty by Taoist thought influence, rise, Rodman people literati paintings of preferring landscape painting, paper, spirit for rapid development, application for wend people no longer traditional mural attention and traditional painting form, and walks into the troughs. Tends to decline To use brush dips in water, ink painting, colorful silk or paper in for main forms, tools and materials have brush, ink, paper, pigments, the traditional Chinese painting, silk and other subjects into character, landscape, flowers, birds, techniques can division pen and freehand brushwork in traditional Chinese painting, the kernel spirit is "ink". So that many Chinese ink misunderstood, make China fine arts is nearly two thousand years natural mineral pigments as the core of the technique system, which is complete disintegrate of Chinese painting a sorrow!Entering the 21st century, is the transformation of the China academy of an important historical period, "traditional and modern western" and "national" has been discussing with the development of Chinese painting topic. How to inherit and develop the breakthrough ideas are Chinese paintings. In "and combination of Chinese and western cultures" and "borrow ancient open today" two big innovation pursue cheap, driven by the substitution materials farewell, the new emphasis on materials and techniques, expand the pursuit of expressivity field, Chinese tradition inheriting, out of traditional Chinese painting, let with unique modern character in the contemporary world art ones.