The Study Of Patterns Form In Chinese Characters

In this paper, the existing Chinese Patterns of visual symbols, discussing the perspective of emotional factors to patterns in the composition of visual symbols in Chinese characters and the use of formal structure.The article is divided into five chapters. The first chapter describes some patterns in the style of traditional Chinese characters and homology between, and trying to prove the relationship that exists between the two, and the development of character inspired by today's society. The second chapter further describes the source of Chinese characters and Chinese characters between the patterns in combination, continuation of the process, from a historical perspective of the dialectical role of Chinese Characters in Patterns. The fourth chapter describes the source of emotion through the digging associated with the Chinese character patterns in forms, more in-depth portrayal of characters out there in the form of Patterns. The final chapter describes the impact of the digital information age, the formation of increasingly pluralistic society, in the perspective of Chinese characters and Patterns liberalization of how people express emotions.The article analysis approach is used to depict the image of the traditional Patterns and relationships between characters map.First, on the basis of homology modeling from the perspective of Chinese characters and traditional mode of thinking of going interpretation of abstract symbols of meaning, Patterns and traditional Chinese characters through the emotional analysis, dig out Patterns in the Chinese characters and the relationship between to large number of traditional picture information to find hidden inside the emotional appeal, the introduction of the concept of emotional factors that made the original Chinese characters become boring more dynamic, so that the relationship between character and picture closer.Second, the ideographic characters based on the creation and development experienced in the process of rewriting the boring process, but the emergence of a large number of Chinese characters during the enrichment and expansion of the combined Chinese Patterns of visual expression, beyond the separate table, "meaning" of the function Patterns for the decorative increased visual function, not only passed the original concept to be expressed, but in a form with a decorative interpretation of life, the interpretation of the United States.The last thing any of the development are constantly changing, the characters still in use today has been able to prove that not only has practical use function, but also to demonstrate its ability to synchronize and social development, "May Fourth New Cultural Movement" core figure of the great writer Lu Xun is also the President of China, keen to reform the text, he advocated "abolition of Chinese characters, Chinese characters do not disappear, China will inevitably die." there is no proven character from the historical stage, China does not die out.The rapid development of electronic information technology today, the formation of the structure of social pluralism, the links between people began to move toward "real" of the zero-contact, in such a social environment, the character of the development environment is more noisy, more traditional patterns of Chinese characters pattern image of the new challenges, in-depth analysis and comprehensive consideration of digital patterns in the context of Chinese Characters and recycling between the value for the Chinese characters and traditional patterns in the development of more effective mode of thinking, the Patterns of Chinese Characters adapt to changes in social ideology and the structure of aesthetic consciousness of alienation.